Content for id "totalCitation" Goes Here

The bibliography below compiles key historical and contemporary publications, as well as websites, that focus on the life, art, and cultural milieu of Johannes Vermeer. The table is sortable by the first author's name, publication date, exhibition catalogs, monographs and websites. Note that the exhibition catalogs, monographs and websites are sorted in ascending chronological order.

I warmly welcome your suggestions for additions or corrections. Please send them to the author and founder of this site, Jonathan Janson, at jonathanjanson@essentialvermeer.com.


Sort by:
Author
Date
Monographs
Exhibition Catalogs
Websites & PDFs
ABELS, Paul. "Church and Religion in the Times of Vermeer." In Haks Donald Marie Christine van der Sman Johannes Vermeer and Haags Historisch Museum. 1996. In Dutch Society in the Age of Vermeer, exhibition catalog edited by Haks Donald, Marie Christine van der Sman, Johannes Vermeer, and Haags Historisch Museum, 1996, The Hague: Hague Historical Museum; Zwolle: Waanders. 1996
ADHEMAR, Hélène. "La Vision de Vermeer par Proust à travers Vaudoyer." Gazette des Beaux-Arts 108th year (1966): 281–294. 1966
AKASEGAWA Genpei. Ferumēru no me. Tokyo: Kodansha, 1998. 1998
AILLAUD, Gilles, BLANKERT, Albert, and MONTIAS, John Michael. Vermeer. Paris: Hazan, 1986. 1986 monogrfs
AINSWORTH, Maryn Wynn, Egbert Haverkamp-Begemann, John Brealey, and Pieter Meyers, with contributions by Karin Groen, Maurice J. Cotter, Lambertus van Zelst, and Edward V. Sayre. Art and Autoradiography: Insights into the Genesis of the Paintings of Rembrandt, Van Dyck and Vermeer. New York: Metropolitan Museum of Art, 1993. 1993
ALEXANDRE, A. "Van der Meer de Delft." L’art et les artistes 2 (1906): 1–5. 1906 monogrfs
ALEXANDRE, A. "Vermeer et l'école de Delft. Nouveaux aperçus sur Vermeer." L’art et les artistes N.S. 25 (1933): 145–173. 1933
ALFASSA, P. "Les Vermeers de la Galerie Nationale de Londres." La Revue de l'art ancien et moderne 20 (1911): 401–408. 1911
ALINK, R. De zeggingskracht van Vermeer. 17 beschouwingen bij de 35 schilderijen van Vermeer. Amstelveen, 2020. 2020
ALPERS, Svetlana. The Art of Describing in the Seventeenth Century. Chicago: University Of Chicago Press, 1984. 1984
ALPERS, Svetlana. "The Strangeness of Vermeer." Art in America 84, (1996): 62–69. 1996
ALPERS, Svetlana. "In Detail. Vermeer and the Art of Painting." Portfolio 4 (1982): 88–93. 1982
ALTENA, J.Q. van Regteren. "A Juvenile Work by Johannes Vermeer." Oud Holland 75 (1960), 194–194. 1960
AN, Christina and FITSKI, Menno. "Vermeer’s Jar," The Rijksmuseum Bulletin Vol. 71 No. 2 (2023) 2023
ANTONINI, A. Johannes Vermeer. Het complete geschilderde werk. Noordwijkerhout, 2019. 2019 monogrfs
ARASSE, Daniel. Vermeer, Faith in Painting. Princeton, NJ.: Princeton University Press, 1994. 1994 mongrfs
ARASSE, Daniel. "Vermeer's Private Allegories."In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 341–343. 1998
ASEMISSEN, Hermann. Jan Vermeer Die Malkust: Aspekte eines Berufsbildes. Frankfurt: Fischer, 1993. 1993
ASHWIN, Clive. "The Age of Vermeer and De Hooch: Exhibition at the Royal Academy, London, 7 September to 18 November 1984." Studio International 197, no. 48. 1984
ATHENAEUM. 1901. "The Newly Discovered Vermeer." The Athenaeum, 3 March 1901, 40. 1901
AUWERA, Joost Vander. "Taking Local History Seriously: The Case of the Chandelier in 'Saint Luke Painting the Virgin' by Abraham Janssen van Nuyssen and in 'The Art of Painting' by Johannes Vermeer van Delft." Artium Historia (2001): 317–338. 2001
BADT, Kurt. Modell und Maler von Jan Vermeer: Probleme der Interpretation. Eine Streitschrift gegen Hans Sedlmay. Cologne: DuMont Schauberg, 1961. 1961
BAILEY, Anthony. Vermeer: A View of Delft. New York: H. Holt, 2001. 2001
BAILEY, Martin. Vermeer (Colour Library). London: Phaidon Press, 1995. 1995 monogrfs
BAKKER, P. "Johannes Vermeer" (2017). In A.K. Wheelock Jr. and L. Yeager-Crasselt (eds.), The Leiden Collection Catalogue, 3rd online edition, 2020. Accessed December 18, 2023. URL: https://www.theleidencollection.com/artwork/young-woman-seated-at-a-virginal/ 2022 web
BALK, Hildelies. "Kennerschap en zelfbedrog. Dirk Hannema en Johannes Vermeer." Kunstschrift, no. 2 (2007): 40–45. 2007
BARNOUW, Adriaan. "Vermeers zoogenaamd 'Novum Testamentum'." Oud Holland 32 (1914): 50–54. 1914
BATAVUS [=M.D. Henkel]. "Vom holländischem Kunstmarkt. 'Die Strasse' von Vermeer für 680.000 Gulden versteigert." Kunstwanderer (1921), 34. 1921
BIESBOER, P. Over Johannes Vermeer van Delft, 1632–1675. Delft: VVV Delft. 1900. 1900 monogrfs
BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55. 2008
BENVENUTI, M.D. "Les derniers mois de la vie de Vermeer de Delft, d'après le récit de Thomas van Haag." La Nouvelle Revue Française May 1993, 51–56. 1993
BERGER, Andrea Ch. Das intermediale Gemäldezitat Zur literarischen Rezeption von Vermeer und Caravaggio. Bielefeld DE, Bielefeld Transcript Verlag, 2014. 2014
BERGER, Andrea Ch. "Vermeer intermedial! Überlegungen zur Popularität seiner Gemälde in zeitgenössischen Erzähltexten (Discussion Papers)." Kunstgeschichte Open Peer Reviewed Journal (2014). 2014
BERGER, Harry Jr. "Conspicuous Exclusion in Vermeer: An Essay in Renaissance Pastoral." Yale French Studies 47 (1973): 243–265. 1973
BERGER, Harry Jr. "Some Vanity of his Art: Conspicuous Exclusion and Pastoral in Vermeer." Salmagundi 44–45 (1979): 89–112. 1979
BERKEL, Klaas van (ed.), Jørgen Wadum, and K. Zandvliet, with contribution from Rudi Ekkart. The Scholarly World of Vermeer. Exhibition Catalog. Zwolle: Waanders Publishers, 1996. 1996
BERKEL, Klaas van, Jørgen Wadum, and K. Zandvliet. "The Scholarly World of Vermeer." In ex. cat. Scholarly World of Vermeer, edited by Klaas van Berkel, Ton Brandenbarg, and Rijksmuseum Meermanno-Westreenianum, 1-10. Zwolle/The Hague: Waanders Publishers; Museum van het Boek/Museum Meermanno-Westreenianum, 1996. 1996
BERKEL, Klaas van. "Johannes Vermeer and Antoni van Leeuwenhoek." In ex. cat. Johannes Vermeer: Der Geograph und Der Astronom nach 200 Jaren wieder vereint, 23–30. Frankfurt: Stadelsches Kunstinstitut. 1997. 1997 exhcats
BERKHOUT, Teding van . "Journal de mes occupations et rencontres ...". 14 May and 21 June 1669. Paper. Royal Library, The Hague. 1669
BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55. 2008
BIANCONI, Piero. The Complete Paintings of Vermeer (Classics of the World's Great Art). London: Weidenfeld & Nicolson, 1970. 1970 monogrfs
BINSTOCK, Benjamin. "The Apprenticeship of Maria Vermeer." Artibus et Historiae 57 (2008): 9–47. 2008
BINSTOCK, Benjamin. Vermeer's Family Secrets: Genius, Discovery and the Unknown Apprentice. New York: Routledge, 2009. 2009
BLANC, Jan. Vermeer: La Fabrique de la Gloire. Paris: Citadelles & Mazenod, 2014. 2014
BLANC, C. Histoire des peintres de toutes les écoles. École hollandaise, 2 vols. Paris, 1861. 1861
BLANKERT, Albert, with contributions by Rob Ruurs and Willem van de Watering. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978. 1978 monogrfs
BLANKERT, Albert and Louis Grijp,."An Adjustable Leg and a Book: Vermeer's 'Lacemaker' Compared to Others." In Shop Talk: Studies in Honour of Seymour Slive. 1995. 1995
BLANKERT, Albert. "Vermeer's Modern Themes and Their Tradition." In exh. cat. Johannes Vermeer, eds. Arthur K. Wheelock Jr. and Ben Broos. National Gallery of Art, New Haven and London: Yale University Press 1995. 1995 exhcats
BLANKERT, Albert. Selected Writings on Dutch Paintings: Rembrandt, Van Beke, Vermeer and Others. Zwolle: Waanders Publishers, 2004. 2004
BLANKERT, Albert. "Johannes Vermeer's 'Kupplerin'-neu betrachtet." In exh. cat. Johannes Vermeer: Bei Der Kupplerin. Staatliche Kunstssammlungen Dresden. Dresden. 2004. 2004 exhcats
BLANKERT, Albert. "Vermeer’s Gezicht op Delft." Kunstschrift 38 (1994), no. 4, 48–49. 1994
BLOCH, Vitale. "Vermeer." Maandblad voor Beeldende Kunsten 17 (1940), 4–8. 1940
BLOCH, Vitale. All the Paintings of Jan Vermeer. London, 1963. 1963 monogrfs
BLUM, André. Vermeer et Thoré-Bürger. Geneva, 1945. 1945
BODE, Wilhem "Jan Vermeer und Pieter de Hooch als Konkurrenten." Jahrbuch der Königlich Preuszischen Kunstsammlungen 32 (1911), 1–2. 1911
BODE, Wilhem. Die Kunstsammlungen des Herrn Alfred Beit in seinem Stadthause in Park Lane zu London. Berlin, 1904. 1904
BODE, Wilhem. Catalogue of the Collection of Pictures and Bronzes in the Possession of Otto Beit. London, 1913. 1913
BODE, Wilhem. Die Meister der holländischen und vlämischen Malerschulen. Leipzig, 1917. 1917
BODKIN, Thomas The Paintings of Jan Vermeer. New York, 1940. 1940 monogrfs
BODMER, F. "Vermeer-Stiftung in Edinburgh/Londoner National Gallery." Der Cicerone 19 (1927), 66–67. 1927
BOK, M.J. "Not to Be Confused with the Sphinx of Delft. The Utrecht Painter Johannes van der Meer (Schipluiden 1630–1695/1697 Vreeswijk?)." In Gaskell and Jonker 1998, 66–79. 1998
BOON, Ton den. Johannes Vermeer. De Delftse meester van het Licht/The Delft Master of Light. Nijmegen, 2009. 2009
BOONE, Jon. "'Saint Praxedis': Missing the Mark." Essential Vermeer. July 11, 2002. 2002
BORENIUS, Tancred . "Vermeer’s Master." The Burlington Magazine 42 (1923), no. 238, 37–39. 1923
BORENIUS, Tancred . "The New Vermeer." Apollo 2 (1925), 125–126. 1925
BOSTRÖM, Keil. "Jan Vermeer van Delft en Cornelis van der Meulen." Oud Holland 66 (1951), no. 2, 117–122. 1951
BOURICIUS, L. G. N. ""Vermeeriana." Oud Holland 42 (1925): 271–273. 1925
BOZAL FERNÁNDEZ, Valeriano. "Johannes Vermeer de Delft. Madrid: TF Editores, 2002. 2002 monogrfs
BRACHES, E. Johannes Vermeer: De Schilderkunst. Overveen, 2021. 2021 monogrfs
BRAIDER, Christopher S. ""The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's 'The Art of Painting'." Poetics Today, vol. 10, no. 1, Art and Literature I (Spring, 1989): 173–203. 1989
BRADDOCK, Rowena, and Nicholas Routley. ""Productive Disjunction and the Play of Rupture: Reading "the blanks" In "Writing to Vermeer." Musicology Australia. 27 (2004–2005): 73–93. 2004
BRANDENBARG, Ton and Rudi Ekkart. "De We reid der geleerdheid rond Vermeer. Zwolle: Waanders Publishers, 1996. 1996
BRAUN, K. Alle de tot nu toe bekende schilderijen van Vermeer. Meesters der Schilderkunst. Rotterdam, 1976. 1976
BREDIUS, Abraham. ""Iets over Johannes Vermeer ('De Delftsche Vermeer')." Oud-Holland 3 (1885): 217. 1885
BREDIUS, Abraham. ""Nieuwe bijdragen over Johannes Vermeer." Oud-Holland 28 (1910): 61. 1910
BREDIUS, Abraham. ""Italiaansche schilderijen in 1672 door Haagsche en Delftsche schilders beoordeeld." Oud-Holland, 34. 1916, 88. 1916
BREDIUS, Abraham. ""Schilderijen uit de nalatenschap van den Delftschen Vermeer." Oud-Holland 34 (1916): 160 sgg. 1916
BREDIUS, Abraham. ""An Unpublished Vermeer." Burlington Magazine 61 (1932): 144–145. 1932
BREDIUS, Abraham. ""A New Vermeer." Burlington Magazine 71 (1937): 21l. 1937
BREDIUS, Abraham. ""Nog een woord over Vermeer's Emmausganger." Oud Holland 55, (1938): 97–99. 1938
BRÉE, Germaine. ""Proust's Combray Church: Illiers or Vermeer?" Proceedings of the American Philosophical Society, vol. 112, No. 1 (February 15, 1968): 5–7. 1968
BRECK, J. "Hollandsche kunst op de Hudson-Fulton tentoonstelling te New York." Onze Kunst 17 (1910), 5–12, 41–47. 1910
BRENTJENS, Yvonne. ""Twee meisjes van Vermeer in Washington. Een kostuumstudie." Tableaux 77 (1985): 54–58. 1985
BRION, Marcel. Vermeer. New York: Abrams, 1963. 1963 monogrfs
BROERSMA, Geerte. ""Vermeer, Vermeer en nog eens Vermeer." In De jonge Vermeer. Ed. Edwin Buijsen. The Hague (Mauritshuis): Zwolle 2010. 74–75. 2010
BROOS, Ben. ""Vermeer: Malice and Misconception." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 18–31. 1998
BROOS, Ben. "'Un célèbre Peintre nomé Verme[e]r'." In Johannes Vermeer. Eds. Arthur K. Wheelock Jr,. and Ben Broos, National Gallery of Art, New Haven and London: Yale University Press, 1995. 1995 exhcats
BROOS, B. "A Most Disagreeable Vermeer." Mauritshuis in focus 8 (December 1995), 21–26. 1995
BROWN, Christo Dantzig, H. van. ""Johannes Vermeer; de Emmausgangers en de critici" (Amsterdam: Sijthoff, 1947). pher. "Review of Wheelock et aI., Johannes Vermeer." Burlington Magazine 88 (1996): 282–283. 1996
BROWN, C. Scenes of Everyday Life. Dutch Genre Painting of the Seventeenth Century. London, 1984. 1984
BRYANT, Julius. Kenwood House: Catalogue of Paintings in the Iveagh Bequest. Swindon: English Heritage, 2003. 2003
BUIJSEN, Edwin (ed.). The Young Vermeer. The Hague: WBooks. 2010. 2010 monogrfs exhcats
BUIJSEN, Edwin. ""Music and the Age of Vermeer." In Haks Donald Marie Christine van der Sman Johannes Vermeer and Haags Historisch Museum. 1996. Dutch Society in the Age of Vermeer. The Hague Zwolle: Hague Historical Museum; Waanders, 1996. 1996
BUIJSEN, Edwin. ""De sprekende handen van de jonge Vermeer/ The Expressive Hands of the Young Vermeer." Mauritshuis in Focus 31 (2010): 6–12. 2010
BUIJSEN, Edwin. "The Expressive Hands of the Young Vermeer." Mauritshuis in focus 23 (2010), no. 1, 6–12. 2010
Buijsen, Edwin. "The Young Vermeer: Education, Development and Sources of Inspiration." In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010 exhcats
BUIJSEN, Edwin. ""The Rediscovery of the 'Young Vermeer'." In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010 exhcats
BÜTTNER, N. Vermeer. Munich, 2010. 2010 monogrfs
BÜTTNER, N. "Wertschätzung im Wandel." In R. Bier (ed.), Der Vermeer-Sensor. Wertzuschreibungen und Werterhaltung von Ding und Kunst in Zeiten der Überfülle, Stuttgart, 2016, 155–165. 2016
BÜTTNER, N. "Jan Vermeer. 'Die Frau mit der Waage'." In K. Marek and M. Schulz (eds.), Kanon Kunstgeschichte. Einführung in Werke, Methoden und Epochen, Paderborn, 2015, 369–381. 2015
BUVELOT, Quentin. ""Vermeer and Dutch Painting: Rome." The Burlington Magazine. (2012): 872–873. 2012
BUVELOT, Quentin. ""Scenes of Everyday Life? Some Reflections on Dutch Genre Painting in the Seventeenth Century." In exh. cat. Masters of the Everyday. Dutch Artists in the Age of Vermeer. Chicago: University of Chicago, 2015. 2015 exhcats
CABANNE, Pierre. Vermeer. Translated by John Tittensor. Paris: Maxi-livres, 2004. 2004 monogrfs
CARSTENSEN, Richard, and Marielene Putscher. "Ein Bild von Vermeer in medizinhistorischen Sicht." Deutsches Ärzteblatt-Ärtzliche Mitteilungen 68 (December 1971). 1971
CASTOR, M.A. "Augenblick und Zeitfluss. Bemerkungen zu einigen Konstanten in der Malerei Jan Vermeers." Pantheon 54 (2005), 84–101. 2005
CHANTAVOINE, Jean. 1926. Ver Meer de Delft; Biographie Critique. Paris: Laurens. 1926. 1926 mongrfs
CHAPMAN, Perry H. "Women in Vermeer's home-Mimesis and Ideation." Nederlands Kunsthistorisch Jaarboek 51 (2000): 241–244. 2000
CHAPMAN, H. Perry, "Women in Vermeer's Home." In Wooncultuur in de Nederlanden 1500–1800/The Art of Home in the Netherlands 1500–1800, eds. Märiet Westermann, Nederlands Kunsthistorisch Jaarboek 51 (2001): 237–271. 2001
CHAPMAN, H. Perry. "Inside Vermeer's Women." In Vermeer's Women: Secrets and Silence, exh. cat., Fitzwilliam Museum, Cambridge. New Haven: Yale University Press, 2001, 164–123. 2001 exhcats
CHAPMAN, H. Perry. "Reading Dutch art: science and fiction in Vermeer." The Art Historian. (2003): 110–127. 2003
CHAPMAN, H. Perry. Michael Cole, and Mary Pardo. "The Imagined Studios of Rembrandt and Vermeer." In Inventiones of the Studio, Renaissance to Romanticism, eds. Michael Cole. Chapel Hill, NC: Chapel Hill Press, 2005, 108–146. 2005
CHALUMEAU, J. (ed.) Vermeer 1632–1675. Paris, 1996. 1996
CHANTAVOINE, J. Ver Meer de Delft. Paris, 1926. 1926
CHARREIRE, Magal. "Vermeer à l'Arsenal: the bibliothèque-musée de Paul Lacroix." Littératures, 75 (2016): 45–56. 2016
CHONG, Alan. Johannes Vermeer, Gezicht op Delft. Bloemendaal: Gottmer and Becht, 1992. 1992
CHRISTIE'S. "Johannes Vermeer: Saint Praxedis." London, 2014. Accessed December 18, 2023. URL: http://www.christies.com/presscenter/pdf/2014/CATALOGUE_NOTE_Johannes_Vermeer_
Delft_1632_1675_Saint_Praxedis_lot_39.pdf
2014 web
CLEEMPOEL, K. van. "Representations of Astrolabes in Western Art." In K. Van Cleempoel (ed.), Astrolabes at Greenwich. A Catalogue of the Astrolabes in the National Maritime Museum. Greenwich. Oxford: Oxford University Press, 2005. 99–111. 2005
COHEN, W. "De Delftschen Vermeer." Galerien Europas 1 (1905), 5–8. 1905
COLOMBIER, J. "Schilderijen uit de nalatenschap van den Delft’schen Vermeer." Oud Holland 34 (1916), 64–81. 1916
COREMANS, P.B. Van Meegeren's Faked Vermeers and de Hoochs. London: Cassell; Amsterdam: Meulenhoff, 1949. 1949
CORNELIS, Bart. "Musical Appeal." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books, 2023. 224–229. 2023 exhcats
COSTARAS, Nicola. "A Study of the Materials and Techniques of Johannes Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
COUPRIE, L. "Het Melkmeisje als symbool voor de Matigheid." NRC Handelsblad, Cultureel Supplement, 19 December 1975, 2. 1975
COUWENBERG, M. De meiden van Vermeer achterna. Een journalistieke pelgrimage langs 21 schilderijen van Johannes Vermeer waarin vrouwen de hoofdrol spelen. [Gouda], 2020. 2020
COX, K. "Art in America. Dutch Pictures in the Hudson-Fulton Exhibition." The Burlington Magazine 16 (1909–1910), nos. 82–83, 178–179, 183–184, 245–246, 302–306. 1909
CUNNAR, Eugene. "The Viewer's Share: Three Sectarian Readings of Vermeer's 'Woman Holding a Balance'." Exemplaria 2 (1990): 501–536. 1990
DACIER, E. "La 'petite rue' de Vermeer de Delft de la collection Six." Revue de l’Art Ancien et Moderne 39 (1921), 275–278. 1921
DANDRIEU, Laurent. Les peintres de l'invisible: Le Greco, Rembrandt, Vermeer et autres messagers de l'infini. Paris: Les éditions du Cerf, 2016. 2016
DANTZIG, H. van. Johannes Vermeer; de Emmausgangers en de critici. Amsterdam: Sijthoff, 1947. 1947
DEKIERT, Marcus. Vermeer in München: König Max I Joseph von Bayern als Sammler Alter Meister. exh. cat. Bayerisches Staatsgemäldesammlungen, Alte Pinakothek. Munich, 2011. 2011 exhcats
DELANEY, Jean-Luc et al. "Mapping the Pigment Distribution of Vermeer’s 'Girl with a Pearl Earring'." Heritage Science 8 (2020), no. 4. 2020
DELSAUTE, Jean-Luc. "The Camera Obscura and Painting in the Sixteenth and Seventeenth Centuries."In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
DEMIN, Vitaliy. "Vermeer on Stamps." Essential Vermeer. 2018. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/misc/stamps/stamps-01.html 2018 web
DEREGOWSKI, J. and PARKER, D. "On a Changing Perspective Illusion within Vermeer’s The Music Lesson." Perception 17 (1988), 13–21. 1988
DESCARGUES, Pierre. Vermeer, trans. J. Emmons. Geneva: Albert Skira, 1966. 1966 monogrfs
DESLANDRES, Sandra. Les Stratégies Visuelles chez Vermeer ou Le Paradoxe du Spectateur. Montréal (Québec, Canada), Université du Québec à Montréal, Maîtrise en histoire de l'art, 2013. 2013
DIBBITS, Taco. "The Milkmaid." In exh. cat. Tokyo 2007, 4–13. 2007 exhcats
DIODATO, Roberto. Vermeer, Góngora, Spinoza: l'esthétique comme science intuitive, trans. Yamina Oudaï Celso. Éditions Mimésis, 2016. 2016
DOLLEKAMP, A. "'De Astronoom' van Vermeer in het Louvre." Tableau 6, December–January 1983–1984. 1983
DOLNICK, Edward. The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York: Harper Perennial, 2008. 2008
DONHAUSER, P.L. "A Key to Vermeer?" Artibus et Historiae 14 (1993), no. 27, 85–101. 1993
DREYFOUS, Georges. L'Oeuvre de Jan Vermeer de Delft. Paris. 1912. 1912 monogrfs
DÜCHTING, Hajo. Jan Vermeer und seine Zeit. Stuttgart: Belser, 2011. 2011 monogrfs
DUCOS, Blaise "Reaching for the Stars." In exh. cat. In A.E. Waiboer et al. (eds.), Vermeer and the Masters of Genre Painting. Inspiration and Rivalry, Paris (Musée du Louvre)/Dublin (National Gallery of Ireland)/Washington (National Gallery of Art) 2017, 208–213. 2017 exhcats
DUDAR, Helen. "Time Stands Still in the Harmonious World of Vermeer." Smithsonian 26, no. 8 (November 1995). 1995
EAKER, A. et al. Making the Difference. Vermeer and Dutch Art. Exhibition Catalog. Tokyo: The Ueno Royal Museum; Osaka: Osaka City Museum of Fine Arts, 2018. 2018 exhcats
ECK, Caroline van. "A New Interpretation of Vermeer’s Allegory of Faith: Vividness and Figural Interpretation." Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700 vol. 33. Brill, Leiden, 2013. 2013
ECKERSLEY, Dominic. "Vermeer's Ruckers Muselar Virginal: Vermeer's Painting of a Ruckers Muselar Virginal in 'The Music Lesson' c. 1662–65." Harpsichord & Fortepiano (Spring, 2014): 32–43. 2014
EDWARDS, J. "La curieuse histoire de l’Astronome de Vermeer et de son “pendant” aux XVIIIe siècle." La Revue du Louvre et des Musées de France 36 (1986), 197–201. 1986
EICHE, Sabine. "'The Artist in his Studio' by Jan Vermeer: About a Chandelier." Gazette des Beaux-Arts .(1982): 203–204. 1982
EISLER, M. "Der Raum bei Jan Vermeer." Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses 33 (1916), 213–291. 1916
EIJK, Babs van. "Johannnes Vermeer: The Man Behind the Paintings." In exh.cat. Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle (2023): 102. 2023
ETIENNE, V. Vermeer’s Secret World: Adventures in Art. Munich, 2008. 2008
EKKART, R.E.O. "In het licht van Vermeer. Cornelis Daemen Rietwijck." Antiek 30 (1996) 8, 362–366. 1996
ELKHUIZEN, W.S. et al. "Comparison of Three 3D Scanning Techniques for Paintings, as Applied to Vermeer’s 'Girl with a Pearl Earring'." Heritage Science 7 (2019), no. 89. 2019
ELOVSSON, Per-Olov. "The Geographer's Heart: A Study of Vermeer's Scientists." Konsthistorisk Tidskrift 6 (1991). 1991
EMILIANI, Andrea. Vermeer (1632–1675). Milan, 1966. 1966 monogrfs
EYCK, Caroline van. "A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural Interpretation." In Imago Exegetica. Visual Images as Exegetical Instruments, 1400–1700, eds. Walter S. Melion, James Clifton, and Michel Weemans, Leiden 2014: 157–185. 2014
FEGERS, H. "Jan Vermeer. Ruhm der Malkunst." Der Kunsthandel 1952, 8–10. 1952
FIERENS, P. Jan Vermeer de Delft, 1632–1675. Paris, 1952. 1952 monogrfs
FELL, Herbert Granville. Vermeer: Masterpieces in Colour, eds. T.L. Hare. London and Edinburgh, 1934. 1934
FELL, Herbert Granville. Vermeer. London/Edinburgh, 1934. 1934
FINGER, B. Jan Vermeer. Munich/London/New York, 2008. 2008 monogrfs
FILIPCZAK, Z.Z. "Vermeer, Elusiveness, and Visual Theory." Simiolus 32, no. 4 (2006): 259–272. 2006
FINK, Daniel A. "Vermeer's Use of the Camera Obscura: A Comparative Study." The Art Bulletin 53 (1971). 1971
FLEISCHER. "Ludolf de Jong's The Refused Glass and its Effect on the Art of Vermeer and De Hooch." In Rembrandt, Rubens and the Art of their Time: Recent Perspectives, Roland E. Fleischer and Susan C. Scott, University Park, Penn, The Pennsylvania State University, 1997. 1997
FLOCON, A. "Une Magistrale Psychanalyse de l'Atelier de Vermeer." Art 7 (November 1962): 20. 1962
FORD, Charles. "Vermeer to Eternity." The Oxford Art Journal (1997): 86–88. 1997
FOUCART, J. "L’astronome de Vermeer." La Revue du Louvre et des Musées de France 33 (1983), 280–28. 1983
France Culture. "La Vision de Vermeer par Proust à travers Vaudoyer." (Radio France), 2017. Accessed December 18, 2023. URL: https://www.radiofrance.fr/franceculture/podcasts/les-chemins-de-la-philosophie/proust-face-a-la-vue-de-delft-5849852 2017 web
FRANKEN, H. De juwelen van Johannes Vermeer. Breda, 1994. 1994
FRANSES, Michael. "Oriental Carpets in the Paintings of Vermeer."In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
FRANKFURT. Johannes Vermeer: "Der Geograph und der Astronom nach 200 Jahren wieder vereint." In exh. cat. by Michael Mac-Gerard, with essays by Klass va Berkel, Jørgen Wadum, Peter Waldeis, and Arthur K. Wheelock Jr., Stadelsches Kunstisnstitut und Stadtische Galerie, Frankfurt, 1997. 1997 exhcats
FRANITS, Wayne. Looking at Seventeenth-century Dutch Art. Realism Reconsidered. Cambridge: Cambridge University Press, 1997. 1997
FRANITS, Wayne. The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits. Cambridge UK and New York: Cambridge University Press, 2001. 2001
FRANITS, Wayne, ed. "Johannes Vermeer: An Overview of His Life and Stylistic Evolution." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). Cambridge UK and New York: Cambridge University Press, 2001. 2001
FRANITS, Wayne. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. New Haven and London: Yale University Press, 2004. 2004
FRANITS, Wayne. "Living in the Lap of Luxury: Vermeer: His Admirers and his Patrons." In Vermeer's Women: Secrets and Silence. Hartford, 2011, 124–151. 2011
FRANITS, Wayne. Vermeer (Art and Ideas). London: Phaidon Press, 2014. 2014 monogrfs
FREISE, K. "Der neue Vermeer." Zeitschrift für bildende Kunst N.S. 18 (1907): 277–278. 1907
FRIMMEL, Theodor von. "A Woman Weighing Pearls by Vermeer of Delft." The Burlington Magazine 22 (October, 1912): 48–49. 1912
FRIMMEL, Theodor von. "Zu Vermeer van Delft." Blätter für Gemäldekunde 2 (1906), no. 10, 183–18. 1906
FROMENTIN, Eugène. Les maîtres d'autrefois. Paris, 1876; new ed., H. Gerson. London and New York, 1948. 1948
FRY, Roger. "Diana and Her Nymphs." The Burlington Magazine for Connoisseurs, vol. 19, no. 100 (July, 1911): 206–207–211. 1911
FUKUOKA, Shin'ichi. Ferumeru hikari no okoku. Tokyo: Kirakusha, 2011. 2011
GALLATIN, A.E. "Vermeer of Delft." The American Magazine of Art 8 (August 1917), 381–393. 1917
GARDNER, Elizabeth E. "Thoré's Sphinx." The Metropolitan Museum of Art Bulletin, New Series, vol. 7, no. 3 (Nov, 1948): 73–78. 1948
GASKELL, Ivan. "Valuing Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 9–17. 1998
GASKELL, Ivan. "Vermeer, Judgment and Truth." The Burlington Magazine 126 (September 1984): 557–561. 1984
GASKELL, Ivan and Michiel Jonker, eds. Vermeer Studies. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
GASKELL, Ivan. "Vermeer and the Limits of Interpretation." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
GASKELL, Ivan. Vermeer's Wager (Essays in Art and Culture). London: Reaktion Books. 2000. 2000
GASKELL, Ivan. "New York and London: Vermeer and the Delft School." The Burlington Magazine. (2001): 452–455. 2001
GASKELL, Ivan. "Exhibition Reviews: New York and London. Vermeer and the Delft School." The Burlington Magazine 143 (2001), no. 1180, 452–455. 2001
GATOMSKI, Juliane.- "Of Doubt and Amazement: The Dutch Natural Sciences in the 17th Century" In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
GELDER, J.G. van. "Jan Vermeer's Clio." Oud Holland 66 (1951): 44–45. 1951
GELDER, J.G. van. "Diana door Vermeer en C. de Vos." Oud Holland, 71 (1956): 245. 1956
GELDER, J.G. van. con commento di J. A. Emmens. De Schilderkunst van Jan Vermeer. Utrecht. 1958. 1958
GELDER, J.G. van. "Jan Vermeer (1632–1675). De keukenmeid." Openbaar Kunstbezit 2 (1958), 13a–b. 1958
GEORGIEVSKA-SHINE, Aneta, "'A counterfeit of what has to decay': Vermeer and the Mapping of Absence in A Woman with a Lute."Journal of Historians of Netherlandish Art 9:1 (Winter 2017). AccessedCedember 18, 2023. URL: https://jhna.org/articles/counterfeit-decay-vermeer-mapping-absence-in-a-woman-with-a-lute/ 2017 web
GEORGIEVSKA-SHINE, Aneta. "Vermeer: The Art of Meditation, and 'The Allegory of Faith'." Personification (2016): 461–488. 2016
GEORGIEVSKA-SHINE, Aneta. Vermeer and the Art of Love. London, 2022. 2022
GERSON, HHorst Het Tijdperk van Rembrandt en Vermeer. Amsterdam, 1952. 1952
GERSON, Horst. "Johannes Vermeer." In Encyclopedia of World Art, New York-Toronto-London, XIV, 1967, col. 739 sgg. 1967
GERSON, Horst. "Recent Literature on Vermeer." The Burlington Magazine 119 (1977), no. 889, 288–290. 1977
GIBERT, P. Quand les peintres pratiquaient les Exercices spirituels. De Lotto à Vermeer. Brussels/Paris 2019. 2019
GIBSON, W P. ''A Foreign Element in Vermeer's Art." Apollo 4 (1926): 202–206. 1926
GIFFORD, E. Melanie. "Painting Light: Recent Observations on Vermeer's Technique." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
GIFFORD, E. Melanie Gifford, Dina Anchin, Alexandra Libby, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney. "First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022) 2022
GIFFORD, E. Melanie, Kathryn A. Dooley, John K. Delaney, "Methodology & Resources: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022). 2022
GIFFORD, E. Melanie& GLINSMAN, L. Deming, "Collective Style and Personal Manner: Materials and Techniques of High-life Genre Painting," in exh. cat. In A.E. Waiboer et al. (eds.), Vermeer and the Masters of Genre Painting. Inspiration and Rivalry, Paris (Musée du Louvre)/Dublin (National Gallery of Ireland)/Washington (National Gallery of Art) 2017, 65–83. 2017 exhcats
GLASS, Marguerite. "The Appreciation of Vermeer in Twentieth-Century America." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001. 2001
GODLEY, John. The Master Forger: The Story of Han van Meegeren. New York: Wilfred Funk. 1952. 1952
GOLDIN, Marco, Quentin Buvelot and Lea van der Vinde. La ragazza con l'orecchino di perla: il mito della Golden Age; da Vermeer a Rembrandt; capolavori dal Mauritshuis. Conegliano Treviso: Linea dombra. 2014. 2014
GOLDSCHIEDER, Ludwig, The Paintings of Jan Vermeer, New York 1940. 1940 monogrfs
GOLDSCHEIDER. Ludwig. Jan Vermeer. London: Phaidon Press. 1958; revised second edition, 1967. 1958 monogrfs
GOLDSCHEIDER, Ludwig. "Vermeer's Lehrer." Pantheon 22 (January-February 1964): 35-38. 1964
GOLAHNY, A., MOCHIZUKI, M.M., & VERGARA, L. In His Milieu. Essays on Netherlandish Art in Memory of John Michael Montias. Amsterdam 2006. 2006
GOODMAN, Elise. "The Landscape on the Wall in Vermeer." Konthistorisk Tidskrift 58 (1989): 76–88. 1989
GOODMAN, Elise. "The Landscape on the Wall in Vermeer." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001. 2001
GOWING, Lawrence. Vermeer. London. 1952, 1970 and 1970. 1952 monogrfs
GOWING, Lawrence. "Light on Baburen and Vermeer." The Burlington Magazine, vol. 93, no. 578 (May, 1951): 169–170. 1951
GOWING, Lawrence. "Vermeer: Elements of His Appeal." Salmagundi, no. 44/45 (1979): 10–23. 1979
GRABSKI, Józef. Jan Vermeer van Delft: (1632–1675): "St. Praxedis". An Exhibition of a Painting from the Collection of Barbara Piasecka Johnson, May–September 1991, International Cultural Centre, Cracow, Wawel Royal Castle, Cracow. Vienna: Irsa. 1991. 1991
GREINDL, Edith, Jan Vermeer, 1632–1675, Milan 1961. 1961 monogrfs
GREGORY, Quint [Henry D. Gregory V]. "Vermeer, tout l'oeuvre peint." Connaissance des Arts 522 (November, 1996). 1996
GREUB, Thierry, J. "Vermeer van Delft: junge Dame mit Perlenhalsband." In Werk aus der Gemäldegalerie Staatliche Museen zu Berlin Preussischer Kulturbesitz. Berlin-Tiergarten, Kulturforum Matthäikirchplatz. Berlin, 2003. 2003
GREUB, Thierry. Vermeer, oder, Die Inszenierung der Imagination. Petersberg: M. Imhof, 2004. 2004
GRIJZENHOUT, Fran. "Een schrijfstertje van Vermeer. Jacob Oortman en de Dissius-veiling van 1696." Oud Holland 123 (2010): 65–75. 2010
GRIJZENHOUT, Frans. Het straatje van Vermeer: gezicht op de Penspoort in Delft. Rijksmuseum, Stedelijk Museum Het Prinsenhof Amsterdam: Rijksmuseum, 2015. 2015
GRIJZENHOUT, Frans, "Een schrijfstertje van Vermeer. Jacob Oortman en de Dissiusveiling van 1696," Oud Holland 123 (2010), no. 1, 65–75. 2010
GRIJZENHOUT, Frans. "Het straatje van Vermeer: een plaatsbepaling." Bulletin KNOB, [S.l.], March 2018, p. 1–13. Accessed [Date]. URL: https://journals.open.tudelft.nl/index.php/knob/article/view/2014/2380. In English: "Vermeer's 'The Little Street' Revisited." https://journals.open.tudelft.nl/index.php/knob/article/view/2014/3971. 2018
GRIJZENHOUT, Frans. "Finding Vermeer." Essential Vermeer. March 2024. Accessed April 1, 2024. http://www.essentialvermeer.com/misc/finding-vermeer.html.new icon 2024 web
GRIMME, Ernst Günther. Jan Vermeer van Delft. Cologne: DuMont Buchverlag, 1974. 1974 monogrfs
GROEN, Karin M. van der WERF, Inez D., van der BERG, Klaas Jan, BOON, Jaap J., "Scientific Examination of Vermeer's 'Girl with a Pearl Earring'." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
GROEN, Karin. "Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer."In Inside the Camera Obscura–Optics and Art under the Spell of the Projected Image. Max Planck Institute for the History of Science, reprint 333. 2007. 195–210. 2007
GROH, Rainer and Lordick, Daniel. "Reverse Painting: Remarks on the Reconstruction of the Room in Vermeer's 'Girl Reading a Letter at an Open Window'" In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
GROOT, Hofstede C. de. Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Holländischer Maler des XVII. Jahrhunderts, nach dem Muster von John Smith's Catalogue raisonné zusammengestellt von Dr. C. Hofstede de Groot, Esslingen a. N./ Paris, Paul Neff Verlag/ Kleinberger, 1907-1928, 10 vols. (Vermeer in vol. 1); Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, 8 vols. (volumes 9 and 10 not published), translated & edited by Edward G. Hawke, London, MacMillan, 1908-1927. 1907
GROOT, Hofstede C. A. de."A Newly Discovered Picture by Vermeer of Delft." The Burlington Magazine 18 (December, 1910): 133–134. 1910
GROOTENBOER , Hanneke. The Pensive Image: Art as a Form of Thinking. Chicago, 2020. 2020
GRUNDY, C.R., "The Rediscovered Vermeer," Connoisseur 73 (October 1925), 116–118. 1925
GUDLAUGSSON, S. J. "Johannes Vermeer" In Kindlers Malerei Lexicon" V (Zurich: Kindler, 1968): 657–670. 1968
GUTRUF, Gerhard and Hellmuth Stachel. "The Hidden Geometry in Vermeer's 'The Art of Painting'." Journal for Geometry and Graphics vol. 14, no. 2 (2010): 187–202. 2010
GWYNNE, J.C., Paintings Based on Vermeer’s Woman with a Water Jug, 1996 (Ph.D. diss., Institute of Fine Arts, New York University). 1996
H.W., "Van der Meer," The Athenaeum, 12 May 1877, 616. 1877
HAAG, Sabine, Obenthaler, Elke Obenthaler, Pénot, Sabine (eds.) Vermeer. Die Malkunst. exh. cat. eds. Kunsthistorisches Museum Vienna, 2010. 2010 exhcats
HAGER, W. Vermeer van Delft. Die Malkunst. Stuttgart, 1966. 1966
HAKS, Donald and Marie Christine van der Sman (eds.) Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers, 1996. 1996
HAKS, D. "Het huishouden van Johannes Vermeer." In exh. cat. The Hague 1996, 92–105 (English edition: The Household of Johannes Vermeer. The Hague 1996, 92–105). 1996 exhcats
HALE, Philip. L, Jan Vermeer of Delft, Boston 1913. 1913 monogrfs
HALE, Philip. L. Jan Vermeer of Delft. Boston, Small, Maynard and Co., 1913; revised ed. by F. Coburn and R. Hale. Boston: Hale, Cushman & Flint, 1937. 1937 monogrfs
HAAN de et al., Vermeer's Delft. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle. 2023. 2023 exhcats
HAAN de et al., "Vermeer's Delft." In exh.cat. Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle (2023): 88. 2023 exhcats
HALLORAN, Thomas O. "Reconstructing the Space, in Vermeer’s 'Officer and Laughing Girl'." Anistorian: in Situ, vol. 8, September 2004. Accessed December 18,2023. URL: http://www.anistor.gr/english/enback/p043.htm 2004 web
HAN-PILE, Béatrice. "Describing reality or disclosing worldhood?: Vermeer and Heidegger." Art and Phenomenolog. (2011): 138–161. 2011
HANNEMA, Dirk. Vermeer: Oorsprong en Invloed: Fabritius, De Hooch, De Witte. exh. cat. Museum Boymans, Rotterdam, 9 July–9 October, 1935. Rotterdam: Museum Boymans. 1935. 1935 exhcats
HANNEMA, D., Over Johannes Vermeer van Delft, Heino 1972. 1972
HANNEMA, D., "Problemen rondom Vermeer van Delft," in J.R. ter Molen and A.W.F.M. Meij (eds.), Boymans bijdragen. Opstellen van medewerkers en oud-medewerkers van het Museum Boymans-van Beuningen voor J.C. Ebbinge-Wubben, Rotterdam 1978, 89–103. 1978
HASKELL, F., "The Benjamin Altman Bequest," Metropolitan Museum Journal 3 (1970), 259–280. 1970
HARMON, Roger. "'Musica laetitiae comes' and Vermeer's 'Music Lesson'." Oud Holland 113 (1999): 161–166. 1999
HAVARD, Henry, Les merveilles de l’art hollandais, exposées à Amsterdam en 1872, Arnhem 1873. 1873
HAVARD, Henry, "L’Etat-civil de Van der Meer de Delft," Chronique des Arts 1877, no. 13, 121–123. 1877
HAVARD, Henry, "Johannes Vermeer (Van der Meer de Delft)," Gazette des Beaux-Arts 27 (1883), 213–224. 1883
HAVARD, Henry, "Johannes Vermeer (Van der Meer de Delft)," Gazette des Beaux-Arts 27 (1883), 389–399. 1883
HAVARD, Henry. Van der Meer de Delft. Paris: Librairie de l'Art. 1888. 1888 monogrfs
HAUSER, A.,"Allegorischer Realismus. Zur Ikono-Logik von Vermeers 'Messekünstler'," Städel-Jahrbuch N.F. 8 (1981), 186–203. 1981
HAVEMAN, M.,"Neem Vermeers Gezicht op Delft," Kunstschrift 57 (2013), no. 6, 2–5. 2013
HAUSENSTIEN, Wilhelm. "Vermeer van Delft." Das Bild Atlanten zur Kunst 10 (1924). 1924 monografs
HAYN-LEICHSENRING , Gregor U, and Dana G Rottleb. "Cupid Stealing Visual Attention - The Restoration of Vermeer's 'Girl Reading a Letter at an Open Window' Altered Viewing Behavior." Iperception eCollection, no. 14 (2023): 6. 2023
HEDINGER, Barbel. "Karten in Bildern. Zur politischen Ikonographie der Wandkarte bei Willem Buyteweech und Jan Vermeer" In H. Bock and T. Gaehtgens, eds, Holandische Genremalerei im 17. Jahrhundert Symposium Berlin 1984/ (Berlin: Mann, 1984). 1984
HEDINGER, B."Karten in Bildern. Zur politischen Ikonographie der Wandkarte bei Willem Buytewech und Jan Vermeer," in BH. ock and Gaehtgens 1987, 139–168. 1987
HEDQUIST, Valerie."The Real Presence of Christ and the Penitent Mary Magdalen in the 'Allegory of Faith' by Johannes Vermeer," Art History 23 (2000), no. 3, 333–336. 2000
HEDQUIST, Valerie. "Religion in the Art and Life of Vermeer." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001. 111–130. 2001
HEDQUIST, Valerie. "The Real Presence of Christ and the Penitent Mary Magdalen in the 'Allegory of Faith' by Johannes Vermeer." Art History, vol. 23, no. 3. (September, 2000): 333–364. 2000
HEHENBERGER, S. and M. LÖSCHER. Die verkaufte Malkunst. Jan Vermeers Gemälde im 20. Jahrhundert, Vienna 2013. 2013
HEIJBROEK, J.F. and W.T. Kloek. "'Het straatje' van Vermeer, een geschenk van H.W.A. Deterding," Bulletin van het Rijksmuseum 40 (1992), no. 3, 225–232. 1992
HELLESSE, F. S. V. Luc Scaccianoce. Introduction au songe de Johannes Vermeer. Lugny, 1979. 1979
HENDRSON, Jasper and Victor Schiferli. Vermeer: The Life and Work of a Master. Amsterdam: Rijksmuseum, 2011. 2011 monogrfs
HENDERSON, Jasper and V. Schiferli, Vermeer. Leven en werk van een meesterschilder, Amsterdam 2011. 2011 monogrfs
HENEL, Jennifer, "Striking the Right Chord: Seeing Music in Dutch Genre Painting," National Gallery of Art. Accessed December 18, 2023. URL: https://purl.org/nga/documents/literature/essays/striking-the-right-chord-seeing-music-in-dutch-genre-painting 2020 web
HENENBERGER, Susanne and Monika. Löscher . Die verkaufte Malkunst: Jan Vermeers Gemälde im 20. Jahrhundert. Vienna: Böhlau, 2013. 2013
HEPPNER, A., "Thoré-Bürger en Holland. De ontdekker van Vermeer en zijn liefde voor Neerland’s kunst;" Oud Holland 55 (1938), 17–34, 67–82, 129–144. 1938
HERTEL, Christiane. Vermeer: Reception and Interpretation. Cambridge and New York: Cambridge University Press, 1999. 1999
HERTEL, Christiane. "Seven Vermeers: Collection, Reception, Response." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001. 2001
HEUER, Christopher. "Perspective as Process in Vermeer." Anthropology and Aesthetics no. 38 (Autumn, 2000): 82–99. 2000
HIRSCHFELDER, D., Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts, Berlin 2008 (diss. Universität Bonn). 2008
HIRSCHFELDER, D. and L. Krempel (eds.), Tronies. Das Gesicht in der Frühen Neuzeit, Berlin 2014. 2014
HOET, G. and P. Terwesten. Catalogus of naamlijst van schilderyen, met derzelver pryzen, 3 vols., The Hague 1752–1770. 1752
HOFMANN, W.J., Vermeer’s Painting of Diana, Zurich 1980. 1980
HOLLANDER, Martha. Structures of Space and Society in the Seventeenth Century Dutch Interior, Ann Arbor 1990. 1990
HOLLANDER, Martha. An Entrance for the Eyes. Space and Meaning in Seventeenth-Century Dutch Art, Berkeley 2002. 2002
HOLLANDER, Martha. "Vermeer's Robe: Costume, Commerce, and Fantasy in the Early Modern Netherlands." Dutch Crossing 35 no. 2 (2011): 177–195. 2011
HONIG, Elizabeth. "The Space of Gender in Seventeenth-Century Dutch Painting." In W. Franits, ed., Looking at Seventeenth-Century Dutch Art: Realism Reconsidered (Cambridge: Cambridge University Press, 1997): 186–201. 1997
HOUBOLT, E., "Het “Straatje," Maandblad van het personeel der Verbondenen Petroleum-Maatschappijen, March 1924, 66–7. 1924
HOUTMAN, L., ‘De muziek in het werk van Johannes Vermeer’, in R. Rausch and P. Bruyn (eds.), Muziek en muziekinstrument in de Nederlandse schilderkunst van de zeventiende eeuw. Een bundeling van werkstukken, Utrecht 1992. 1992
HOUTZAGER, H.L., et al. (eds.), Delft en de Oostindische Compagnie (Delfia Batavorum, 14), Amsterdam 1987. 1987
HOWARD, Helen, David Peggie and Rachel Billinge, "Vermeer and Technique." National Gallery website. (https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique) 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. "Methods and Technique". Support and Ground. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/support-and-ground 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. "Methods and Technique". Infrared examination.Accessed December 18, 2023. URL:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/infrared-examination
2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. "Methods and Technique". Vermeer's palette. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/vermeers-palette 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Binding medium. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/binding-medium 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Paint application. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/paint-application 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Secrets of the studio. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/secrets-of-the-studio 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Altered appearance of ultramarine. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/altered-appearance-of-ultramarine 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Fading of yellow and red lake pigments. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/fading-of-yellow-and-red-lake-pigments 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Drying and paint defects. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/drying-and-paint-defects 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Formation of lead and zinc soaps. Accessed December 18, 2023. URL: https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/formation-of-lead-and-zinc-soaps 2013 web
HOWARD, Helen, David Peggie, and Rachel Billinge. "Vermeer and Technique." National Gallery website. Infrared examination. Accessed December 18, 2023. URL:
https://www.nationalgallery.org.uk/researc/about-research/the-meaning-of-making/vermeer-and-technique/infrared-examinationh
2013 web
HUBSCHMITT, W.E. The Art of Painting. An Iconographic Examination of De Schilderconst by Johannes Vermeer of Delft, Birmingham 1987 (diss. State University of New York). 1987
HUERTA, Robert D. Giants of Delft: Johannes Vermeer and the Natural Philosophers: The Parallel Search for Knowledge During the Age of Discovery. Lewisburg: Bucknell University Press, 2003. 2003
HUERTA, Robert D. Vermeer And Plato: Painting The Ideal. Lewisburg: Bucknell University Press, 2005. 2005
HULTEN, Karl. "Zu Vermeers Atelierbild." Konsthistorisk Tidskrift 18 (1949): 90–98. 1949
HURLEY, Ann. "Ut Pictura Poesis: Vermeer's Challenge to Some Renaissance Literary Assumptions." The Journal of Aesthetics and Art Criticism, vol. 47, no. 4 (Autumn, 1989): 348–357. 1989
HUYGHE, R. "Vermeer et Proust." L'amour de l'art 17 (1936): 7–15. 1936
HYAAT, Mayor A. "The Photographic Eye." Bulletin of the Metropolitan Museum of Art, new series vol. 1 (1946): 15–26. 1946
IACONO, Margaret. "Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis." Frick Collection Members' Magazine 13, no. 3 (2013). 2013
IACONO, Margaret, and James Ivory. Vermeer's "Mistress and Maid" (Frick Diptych). New York: The Frick Collection; London: in association with D Giles Limited, 2018. 2018
JANSEN, Anita, Jaap van der Veen, Frans Grijzenhout, and Stedelijk museum Het Prinsenhof (Delft, Netherlands). 2019. Pieter De Hooch in Delft: From the Shadow of Vermeer. Exhibition catalog. Museum Prinsenhof Delft, 11 October 2019-16 February 2020. Zwolle Delft: WBOOKS; Museum Prinsenhof Delft. 2019 exhcats
JANSON, Jonathan. Looking Over Vermeer's Shoulder: Seventeenth-Century Painting Techniques and Studio Practices with Particular Focus on the Work of Johannes Vermeer, 2nd ed. USA, 2020. 2020
JANSON, Jonathan. "How Vermeer Painted." In Hound in the Hunt: Optical Aids in Art, 90–151. Hobart TS: Museum of Old Art and New, 2016. 2016
JANSON, Jonathan. Essential Vermeer. Accessed December 18, 2023. Accessed December 18, 2023. URL: http://www.essentialvermeer.com. 2001 web
JELLEY, Jane. "From Perception to Paint: The Practical Use of the Camera Obscura in the Time of Vermeer." Art and Perception (July 2013). 2013
JENDROWIAK, S. Vermeer, Sicht auf Delft und ein Frauenideal. Hamburg, 2015. 2015
JESSE, W. "Der Braunschweiger Vermeer." Kunstchronik und Kunstliteratur, Beiläge zur Zeitschrift für bildende Künste 4 (1931): 33–35. 1931
JOHANSEN, P. "Jan Vermeer de Delft, à propos de l’ordre chronologique de ses tableaux." Oud Holland 38 (1920): 185–199. 1920
JOHNSON, Don H., Ella Hendriks, and C. Richard Johnson Jr. "Interpreting Canvas Weave Matches." Art Matters 5 (2013): 53–61. 2013
JOHNSON, C. Richard Jr., and W. A. Sethares. "Canvas Weave Match Supports Designation of Vermeer's 'Geographer' and 'Astronome'r as a Pendant Pair."Journal of Historians of Netherlandish Art 9, no. 1 (Winter 2017). Accessed December 18, 2023. URL: https://jhna.org/articles/canvas-weave-match-supports-designation-vermeer-geographer-astronomer-pendant-pair/ 2017 web
JONG, Eddy de. "On Balance." In Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C. New Haven and London: Yale University Press, 1998. 1998
JOWELL, Frances Suzman. Thoré-Bürger and the Art of the Past. New York: Garland Publishers, 1977. 1977
JOWELL, Frances Suzman. "Thoré-Bürger and Vermeer: Critical and Commercial Fortunes." In Shop Talk: Studies in Honour of Seymour Slive, 125–126 n.11. Cambridge, Mass.: 1995. 1995
JOWELL, Frances Suzman. "Thoré-Bürger: A Critical Role in the Art Market." Burlington Magazine 138 (1996): 155–116. 1996
JOWELL, Frances Suzman. "Vermeer and Thoré-Bürger: Recoveries of Reputation." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. .1998
JOWELL, Frances Suzman. "Thoré-Bürger's Art Collection: 'A Rather Unusual Gallery of Bric-à-Brac'." Simiolus: Netherlands Quarterly for the History of Art 30, no. 1/2 (2003): 54–55. 2003
JUFFINGER, Roswitha, and Christoph Brandhuber. "The Unrecognized Masterpiece: Vermeer's 'Art of Painting'." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 193–313. 2010
KAHR, Madlyn Millner. "Vermeer's 'Girl Asleep,' A Moral Emblem." Metropolitan Museum Journal VI (1972). 1972
KALDENBACH, Kees. "Ein 3D-Flug über die 'Ansicht von Delft'; Johannes Vermeers Meisterwerk aus 1660 als virtuelle Welt" (A 3D flight over 'View of Delft,' text in German). Weltkunst, Munich. February 1999, vol. 69, no. 2, 308–310. 1999
KALDENBACH, Kees. 3D project, with the Delft University of Technology: "Ein Flug über die ‘Ansicht von Delft’ : Jan Vermeers Meisterwerk von 1660 als virtuelle Welt." Herausgegeben von Weltkunst, 1999, Vol. 69, Heft 1, 308-310. 1999
KALDENBACH, Kees. "Trekschuiten, haringbuizen en vrachtschepen op Vermeers Gezicht op Delft." In Tijdschrift voor Zeegeschiedenis, Vol. 19 nr. 1 (April) 2000. Reprint in Historisch Jaarboek voor Delft, 2001. 2000
KALDENBACH, Kees. "'Het Straatje' van Johannes Vermeer: Nieuwe Langendijk 24–26? Een kunsthistorische visie op een archeologisch en bouwhistorisch onderzoek." Bulletin KNOB (Koninklijk Nederlandse Oudheidkundige Bond), Vol. 99 nr. 5–6, November–December 2000, 239–249. 2000
KALDENBACH, Kees. "A Rich Tapestry of Multimedia Sources. An Encyclopedic 2000+ Page Web Site on Johannes Vermeer & 17th-Century Life in Delft, 2001–2016." Accessed December 18, 2023. URL: https://johannesvermeer.info/ web
KALDENBACH, Kees. "Clickable Digital map of Delft with hundreds of names of Painter and Patrons." Accessed December 18, 2023. URL: https://kalden.home.xs4all.nl/dart/d-a-aa-ADelftMapFrameENG.htm web
KALDENBACH, Kees."Vermeer: 'Allegory of Catholic Faith,' an exploded view." Accessed December 18, 2023. URL: https://kalden.home.xs4all.nl/verm/Vermeer-AllegoryOfCatholicFaith.html web
KALDENBACH, Kees."Vermeer's House." Accessed December 18, 2023. URL: https://kalden.home.xs4all.nl/vermeer-info/house/framesetENG.html web
KALDENBACH, Kees. "Die kleine Strasse von Johannes Vermeer: Nieuwe Langendijk Nr. 22–26? Ein kunstgeschichtlicher Blick auf eine archäologische und baugeschichtliche Untersuchung." Die Denkmalpflege, 2002. 2002
KALDENBACH, Kees. "The Genesis of a Wall Chart on the Cultural Heritage of Seventeenth-Century Delft: Johannes Vermeer and the Delft School: a Chart of Homes of Delft Artists and Patrons in the Seventeenth Century." Visual Resources, vol. XVIII, no. 3 (September 2002). 2002
KALDENBACH, Kees. Research, map, and text, "Johannes Vermeer and the Delft School: A Full-Color Chart Showing the Homes of Circa 120 Artists and Circa 130 Patrons who Lived in Seventeenth-Century Delft." Amsterdam, 2001. 2001
KALDENBACH, Kees. "Some Vermeer’s 'View of Delft' details are precise down to a millimeter." July 2020. Accessed December 18, 2023. URL: https://johannesvermeer.info/vermeer-view-of-delft-down-to-a-millimeter 2020 web
KEISER, Herbert Wolfgang. Vermeer van Delft. Berlin: G. Weise, 1938. 1938
KERNBAUM, Serge. Vermeer (1632–1675): Une douce mélancolie. Paris: Somogy éditions d'Art, 2017. 2017
KERSTEN, M.C.C. & D. H. A.C. Lokin. "Delft Masters, Vermeer's Contemporaries. Illusionism through the Conquest of Light and Space." In exh. cat. Stedelijk Museum het Princenhof, Delft. Zwolle: Waanders Publisher, 1996. 1996 exhcats
KETTNER, Jasper. "Delft Tracks: The Young Vermeer and the Painting of his Hometown."In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
KEYSILITZ, Rudolf. "Der 'Clavis interpretandi' in der hollandischen Malerei des 17." Jahrhunderts, Ph.D. diss., Munich, 1956. 1956
KITSON, C. M. "Current and Forthcoming Exhibitions: Florentine Baroque Art in New York." The Burlington Magazine 111 (June, 1969): 410. 1969
KLINGSOR, T. "Vermeer van Delft." L'Amour de l'Art (1921), 324-329. 1921
KLOEK, Wouter, et al. Dutch Art in the Age of Rembrandt and Vermeer: Masterworks of the Golden Age from the Rijksmuseum Amsterdam. Tokyo: The Tokyo Shimbun, 2000. 2000
KLOSE, C. "Der türkische Teppich in Johannes Vermeers Kupplerin." In exh. cat. Dresden 2004, 28-30. 2004 exhcats
KOBAYASHI, Yoriko. Nazotoki Ferumēru. Tokyo: Shinchōsha, 2003. 2003
KOLFIN, Elmer, Carol Pottasch, and Ruth Hoppe. "The Metamorphosis of 'Diana': Changing Perceptions of the Young Vermeer's Paintings Techniques." Art Matters, Netherlands Technical Studies in Art, first issue (2002): 90–103. 2002
KNAFOU, Rémy. Vermeer: mystère du quotidien. Paris, 1994. 1994 monogrfs
KNAUER, E.A. "Vermeer's 'Allegorie des Glaubens' und 'Genesis' 24, 1–67." Zeitschrift für Kunstgeschichte 61 (1998), 66–76. 1998
KNEVEL, P. "Op zoek naar Johannes Vermeer. Boekbespreking J.M. Montias, Vermeer and his Milieu." Leidschrift. Historisch tijdschrift 6 (1990) 3, 93–100. 1990
KOBAYASHI-SATO, Y. "Vermeer and his Thematic Use of Perspective." In Golahny, Mochizuki and Vergara 2006, 209−218. 2006
KOLFIN, E.E.P., C. Pottasch, and R. Hoppe. "The Metamorphosis of Diana: Changing Perceptions of the Young Vermeer’s Painting Technique." ArtMatters. Netherlands Technical Studies in Art 1 (2002), 90−103. 2002
KONINGSBERGER, Hans. The World of Vermeer 1632–1675 (Time-Life Library of Art). New York: Time-Life Books, 1967. 1967
KORTE, Heribert. Buiten de tijd om. Johannes Vermeer & Marcel Proust. Amsterdam: De Vrije Uitgevers, 2016. 2016
KRAMER, Maria. "A Study of the Paintings of Vermeer of Delft." The Psychoanalytic Quarterly 39 (1970), 389–426. 1970
KREMPEL, León. "Bildnisse in Genrebildern." In Studies on Dutch and Flemish Portraiture of the 16th-18th Centuries, Liber Amicorum Presented to Rudolf E.O. Ekkart on the Occasion of his 65th Birthday. Primavera Pers: Leiden, 2012. 351–58. 2012
KREMPEL, León. "Allegorische Tronie-Paare bei Johannes Vermeer." In Tronien: das Gesicht in der frühen Neuzeit, eds. Dagmar Hirschfelder and León Krempel. Berlin, 2014. 97–112. 2014
KREUGER, Frederik H. Waar schilderde Vermeer zijn Straatje? Rijswijk: Quantes, 2009. 2009
KRONIG, J. O. "A still-life by Jan Vermeer of Delft." The Burlington Magazine for Connoisseurs (1920): 169–170.
KUIPER, L. "Restauratieverslag van Vermeer’s Liefdesbrief/Report on the Restoration of Vermeer’s 'Love Letter'." Bulletin van het Rijksmuseum 20 (1972), 147−167. 1972
KULTERMANN, Udo. "Vermeer versions modernes." Connaissance Des Arts (1977): 95–100. 1977
KULTERMANN, Udo. "Vermeer and Contemporary American Painting." American Art Review 4 (November 1978): 114–119, 139–150. 1978
KÜHN, Hermann. "A Study of the Pigments and Grounds Used by Jan Vermeer." Reports and Studies in the History of Art (1968): 154–202. 1968
L.G.S. "Two Vermeers Are Newly Discovered." Art News 40 (1925), 1. 1925
LAGERLÖF, Margaretha Rossholm. "A Painting Without Genre: Meaning in Jan Vermeer's 'The Girl with the Wine Glass'." Konsthistorisk Tidskrift / Konsthistoriska Sällskapet (2009): 77–91. 2009
LAMMERTSE, Friso. De Vermeers Van Meegeren: Kennerschap en de Techniek van het Vervalsen. Rotterdam: Museum Boijmans Van Beuningen, 2011. 2011
LANDSMAN, Rozemarijn. Vermeer's Maps. DelMonico Books/Frick Collection, 2022. 2022
LAROCHE, Pierre-Éric. Vermeer ou l'Action de Voir. Bruxelles: La Lettre Volée, 2007. 2007
LARSEN, Erik. Jan Vermeer. Translated by Tania Gargiulo. Florence: Biblioteca d'arte, 1996. 1996 monogrfs
LARSEN, Erik. Jan Vermeer: The Complete Paintings by the Master of Light. New York, 1998. 1998 monogrfs
LAURENZE-LANSABERG, Claudia. "Neutron-Autoradiography of Two Paintings by Jan Vermeer in the Gemäldegalerie Berlin." In Inside the Camera Obscura—Optics and Art under the Spell of the Projected Image. Max Planck Institute for the History of Science, Reprint 333 (2007): 211–225. 2007
LAVELLÉE, Pierre. "Un Tableau Inconnu de Vermeer: La Jeune Femme au Chapeau Rouge." La Revue de l'Art 47 (1925). 1925
LEBRUN, J.B.P. Galerie des peintres flamands, hollandais et allemands, 2 vols. Paris, 1792. 1792
LE COZE, Pierre, and Pierre-Éric Laroche. Vermeer, ou L'action de Voir. Bruxelles: La Lettre Volée, 2007. 2007
LEFÈVRE, W. (ed.), Inside the Camera Obscura: Optics and Art under the Spell of the Projected Image. Berlin: Max Planck Institute for the History of Science, Preprint 333, 2007. 2007
LEMCKE, C. "Jan Vermeer (van der Meer) aus Delft" in Kunst und Künstler des Mittelalters: Biographien und Charakteristiken 2 (1878), 12–22. 1878
LEONHARD, Karin. "Vermeer's Pregnant Women: On Human Generation and Pictorial Representation." Art History 25 (2002): 293–318. 2002
LEONHARD, Karin. Das Gemalte Zimmer: Zur Interieurmalerei Jan Vermeers. München: Fink, 2003. 2003
LEVY-VAN HALM, Koos. "Where Did Vermeer Buy His Painting Materials? Theory and Practice." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
LIBBY, Alexandra, E. Melanie Gifford, Dina Anchin, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney. "Experimentation and Innovation in Vermeer’s 'Girl with the Red Hat': New Findings from the National Gallery of Art." Journal of Historians of Netherlandish Art 14, no. 2 (Summer 2022). 2022
LIBBY, Alexandra. "Johannes Vermeer/Girl with the Red Hat / c. 1669." In Dutch Paintings of the Seventeenth Century (National Gallery of Art Online Editions). Accessed on October 10, 2022. [Link: purl.org/nga/collection/artobject/60] 2022
LIEDTKE, Walter. "Vermeer sin egen läromästare/Vermeer Teaching Himself" in exh. cat. Stockholm 1992, 89–105. 1992 exhcats
LIEDTKE, Walter (ed.), Axel Rüger, Michiel Plomp, Reinier Baarsen, and Bruce Campbell. Vermeer and the Delft School. New York: The Metropolitan Museum of Art, 2001. 2001 exhcats
LIEDTKE, Walter. "Vermeer's Youthful Discretion: 'Diana and Her Companions' was a Predictable Picture for a Young Delft Painter of the Early 1650s, but it was also Personal." Art News 100 (2001): 120–127. 2001
LIEDTKE, Walter. "Vermeer Teaching Himself." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), ed. W. Franits. Cambridge, UK and New York: Cambridge University Press, 2001. 2001
LIEDTKE, Walter. Vermeer: The Complete Paintings. Ghent, Belgium: Ludion Press, 2008. 2008 monogrfs
LIEDTKE, Walter. The Milkmaid by Johannes Vermeer. New York: The Metropolitan Museum of Art, 2009. 2009 exhcats
LIEDTKE, Walter. "Vermeer's Women: Desire and Restraint." IFAR Journal 11, nos. 3 & 4 (2010): 26–41. 2010
LIEDTKE, Walter A. and Arthur K. Wheelock Jr. " Young Woman Seated at a Virginal".(2017). Revised by Arthur K. Wheelock Jr. (2023). In The Leiden Collection Catalogue, 4th ed. Edited by Arthur K. Wheelock Jr. and Elizabeth Nogrady with Caroline Van Cauwenberge. New York, 2023. Accessed December 18, 2023. URL: https://theleidencollection.com/artwork/young-woman-seated-at-a-virginal/ 2017 web
LIESS, Reinhard. Jan Vermeer van Delft, Pieter Breugel d. A., Rogier van der Weyden: Drei Studien zur Niederländischen Kunst. Güttingen: Reinhard Liess, 2004. 2004
LITTLEJOHN, David. “What’s so Great about Vermeer?” The Hudson Review 49, no. 2 (1996): 259–72. 1996
LINDENBURG, M. A. "Het 'Straatje' van Vermeer." Delfia Batavorum (1992): 83–91. 1992
LIVEIERATOS, Evangelos, and Alexandra Koussoulakou. "Vermeer's Maps: A New Digital Look in an Old Master's Mirror." e-Perimetron 1, no. 2 (Spring 2006): 138–151. Accessed December 18, 2023. URL: https://www.e-perimetron.org/Vol_1_2/Livieratos_Kousoulakou/Livieratos_Koussoulakou.pdf 2006 web
LLOYD, David. "The Vermeers in America." International Studio 82 (November 1925): 123–128. 1925
LOKIN, Daniëlle, M. C. C. Kersten . Delftse Meesters, tijdgenoten van Vermeer: Een andere kijk op perspectief, licht en ruimte. Exhibiton catalogue. Zwolle: Waanders; Delft: Stedelijk Museum Het Prinsenhof, 1996. 1996 exhcats
LOKIN, Daniëlle. "Gezichten op en in Delft van 1650 tot 1675." In Delftse Meesters, tijdgenoten van Vermeer: Een andere kijk op perspectief, licht en ruimte, edited by Daniëlle Lokin. Exhibition catalog. Zwolle: Waanders; Delft: Stedelijk Museum Het Prinsenhof, 1996. 87–128. 1996

exhcats

LOPEZ, Jonathan. The Man Who Made Vermeers. New York: Mariner Books, 2008. 2008
LOPEZ, Jonathan. "Van Meegeren's Early Vermeers." Apollo (July–August 2008): 22–29. 2008
LORDICK, Daniel. "Parametric Reconstruction of the Space in Vermeer's Painting 'Girl Reading a Letter at an Open Window'." Journal for Geometry and Graphics 16, no. 1 (2012): 69–79. Accessed December 18, 2023. URL: http://lordick.darstellende-geometrie.de/docs/Lordick-Vermeer-JGG-2012-1.pdf 2012 web
LOTZ, Corinna. "Vermeer and the Dutch Interior." Apollo (2003): 55–56. 2003
LUCAS, E.V. Vermeer of Delft. London, 1922. 1922 monogrfs
LUCAS, Edward Verrall. Vermeer the Magical. London, 1929. 1929 monogrfs
LUSK, Daniel. The Vermeer Suite. Shelburne, VT: Wind Ridge Books, 2015. 2015
MAARSEVEEN, M. P. van. Vermeer and Delft: His Life and His Times. Stedelijk Museum het Prinshof, Amersfoort, 1996. 1996
VAN MAARSEVEEN, M. Vermeer in Delft: Een schilder in zijn stad. Stedelijk Museum het Prinshof, Amersfoort, 2016. 2016
MacCOLL, D.S. A Note on Vermeer of Delft and the Picture "Christ with Martha and Mary." London, 1901. 1901
MAEK-GERAND, Michael, ed. Johannes Vermeer: Der Geograph und der Astronom nach 200 Jahren wieder vereint. Exhibition catalogue, Frankfurt am Main, Städelisches Kunstinstitut und Städtische Galerie, 1997. 1997 exhcats
MAHON, D., Centeno, S.A., Iacono, M., et al. "Johannes Vermeer’s 'Mistress and Maid': New Discoveries Cast Light on Changes to the Composition and the Discoloration of Some Paint Passages." Heritage Science Journal 8, 30 (2020). 2020
MALRAUX, André. "Un Artiste à Jamais Inconnu, Proposition d'une Nouvelle Chronologie - et par Là d'une Nouvelle Perspective - de l'Oeuvre de Vermeer." Revue des Arts (1951): 195–204. 1951
MALRAUX, André. Vermeer de Delft. Gallimard - Galerie de la Pléiade, Paris, 1952. 1952
MARIJNISSEN, R.H. Johannes Vermeer (AO, no. 1656). Lelystad, 1977. 1977
MARTIN, W. "Jan Vermeer van Delft" in Woord en Beeld: Geïllustreerd Maandschrift 9 (1904), 1–8. 1904
MARTIN, Wilhelm. "La Jeune Fille à la Flute de Vermeer de Delft." L'Art Flamand & Hollandais 8 (July 1907): 20–23, repro. 1907
MARTIN, Wilhelm. "Jan Vermeer van Delft: Het meisje met de fluit" in Onze Kunst 6 (1907), 20–24. 1907
MARTIN, W. "'Het straatje' van Vermeer en de Six-stichting" in Oudheidkundig Jaarboek 1 (1921), 107–108. 1921
MAYER-MIENTSCHEL, Annaliese. "Die Briefleserin von Jan Vermeer van Delft-zum Inhalt und zur Geschichte des Bildes." Jahrbuch der Staatlichen Kunstsammlungen Dresden 11 (1978): 91–99. 1978
MARTINI, A.M. Vermeer (I Maestri del colore, 54). Milan, 1964. 1964 monogrfs
MAYER-MIENTSCHEL, Annaliese. "Vermeer's 'Kupplerin'." Jahrbuch der Staatlichen Kunstsammlungen Dresden 15 (1986): 7–18. 1986
MAYER-MEINTSCHEL, Annaliese. "Die Briefleserin von Jan Vermeer van Delft: Zum Inhalt und zur Geschichte des Bildes" in Jahrbuch der Staatlichen Kunstsammlungen Dresden 11 (1978–1979), 91–99. 1978
MAYER-MEINTSCHEL, Annaliese. "Johannes Vermeers Kupplerin: Zu Herkunft und Inhalt" in exh. cat. Dresden 2004, 31–38. 2004 exhcats
MCENTYRE, Marilyn Chandler. In Quiet Light: Poems on Vermeer's Women. Grand Rapids, Mich: W.B. Eerdmans Pub. Co., 2000. 2000
MENGDEN, Lida von. Vermeer’s 'de Schilderkonst' in den Interpretationen von Kurt Badt und Hans Sedlmayr. Frankfurt, 1984. 1984
MENZEL, Gerhard W. Vermeer. Leipzig, 1977. 1977 mongrfs
MELTZOFF, Stanley. "The Rediscovery of Vermeer." Marsyas 2 (1942): 160–196. 1942
MEYER, S. de et al. "Imaging Secondary Reaction Products at the Surface of Vermeer’s 'Girl with a Pearl Earring' by Means of Macroscopic X-ray Powder Diffraction Scanning" in Heritage Science 7 (2019), no. 67. 2019
MIEDEMA, Hessel. "Johannes Vermeer’s 'Schilderkunst'." Proef, September 1972, 67–76. 1972
MIEDEMA, Hessel. "Jan Vermeer's 'Art of Painting'." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
MILLAR, O. The Queen’s Pictures. London, 1977. 1977
MILLS, A. A. "Vermeer and the Camera Obscura: Some Practical Considerations." Leonardo 31 (1998): 213–218. 1998
MIRIMONDE, Albert P. de. "Les Sujets Musicaux chez Vermeer de Delft." Gazette des Beaux-Arts 57 (January 1961), 29–52.
MISTLER, Jean. Vermeer (Collection Le Peintre et l'Homme). Paris, 1973. 1973 monogrfs
MITTELSTÄDT, K. Jan Vermeer van Delft. Berlin, 1969. 1969 monogrfs
MOLESINI, Giuseppe. "The Optical Quality of Seventeenth-Century Lenses." In Inside the Camera Obscura - Optics and Art under the Spell of the Projected Image (Max-Planck-Institut fur Wissenschaftsgeschichte, preprint 333),, edited by Wolfgang Lefevre, 117-127.Berlin: (Max-Planck-Institut fur Wissenschaftsgeschichte,, 2007. 2007   web
MOHRMANN, Ivo and Scheufler, Thomas. "From Space to Image and Back: A Room Presentation at the Dresden Academy of Fine Arts."In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
MOLTENBREY, Karen. "Art Appreciation: Digital Artists Shed New Light on the Masterpieces of Johannes Vermeer." Computer Graphics World 25 (May, 2009): 14–16. 2009
MONCONYS, Balthasar de. Journal des Voyages de Monsieur de Monconys, Conseiller du Roy en ses Conseils d'Etat & Privé, & Lieutenant Criminel au Siège Presidial de Lyon, 2 vols. Lyon, 1665–1666. 148–149. 1665
MONJI-VOLLMER, Eva. "Rediscovering Vermeer's 'Art of Painting' in the 19th Century." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 103–109. 2010
MONTIAS, John Michael. "The Guild of St. Luke in 17th-Century Delft and the Economic Status of Artists and Artisans." Simiolus (1977): 93–105. 1977
MONTIAS, John Michael. "New Documents on Vermeer and His Family." Oud-Holland (1977): 267–287. 1977
MONTIAS, John Michael. "Vermeer and His Milieu: Conclusion of an Archival Study." Oud Holland 94 (1980): 44–62. 1980
MONTIAS, John Michael. Artists and Artisans in Delft. Princeton, 1982. 1982
MONTIAS, John Michael. Vermeer and His Milieu: A Web of Social History. Princeton NJ: Princeton University Press, 1989. 1989
MONTIAS, John Michael. "The Guild of St. Luke in Seventeenth Century Delft and the Economic Status of Artists and Artisans." Simiolus 9 (1977): 93–105. 1977
MONTIAS, John Michael. "A Postscript on Vermeer and His Milieu." Hoogsteder-Naumann Mercury (1991): 42–52. 1991
MONTIAS, John Michael. "Recent Archival Research on Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 93–109. 1998
MORENO, Ignacio. "Vermeer's 'The Concert': A Study in Harmony and Contrasts." The Rutgers Art Review 3 (1983): 51–57. 1983
MORNING POST . "Picture Romance. How a Vermeer Masterpiece was Discovered." The Morning Post (14 January 1927): 9. 1927
MORTIER, B.M. du. "Aspects of Costume, A Showcase of Early 17th-century Dress" in exh. cat. Amsterdam/Washington 2009, 141–163. 2009 exhcats
MULLER, Frederik. The Pearl of the Six Collection Called the "Little Street" In Delft Painted by Jan Vermeer of Delft Will Be Sold by Auction by Order of the Hon. Prof. Dr. J. Six on April 12, 1921 by Messrs Frederik Muller & Co (Ant. W.M. Mensing) at Their Galleries Doelenstraat 16–18 Amsterdam. By Muller en Co [veilinghuis] | Six, Jan (VII) [verzamelaar]. 1921
NASH, J. M. Vermeer. London: Phaidon Press, 1991. 1991 monogrfs
NASH, J. M. "To Find the Mindes Construction in the Face."In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
NASSE, H. "Jan Vermeer van Delft, der Meister des Raumes und der malerischen Kultur" in Kunst für Alle 38 (1992), 1–15. 1992
NEIDHART, Uta et al. Der frühe Vermeer. Exhibiton catalogue. Deutscher Kunstverlag Berlin/München, 2010. 2010
NEIDHART, Uta. "Johannes Vermeer's 'The Procuress': An Experiment with an Open Ending?" In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
NEIDHART, Uta. "Johannes Vermeer's 'Girl Reading a Letter at the Open Window': A Gifted Young Painter Orients Himself." In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010
NEIDHART, Uta and Marlies Giebe. Johannes Vermeer. Bei der Kupplerin. Dresden: Michel Sandstein Verlag, 2004. 2004
NEIDHART, Uta and Christoph Schözel. "The Restoration of Vermeer's 'Young Woman Reading a Letter at an Open Window': An Interim Report." The Burlington Magazine, June 2019, no. 1395, vol. 161. 2019
NEIDHARDT, U. "Interplay of Art and Life: Vermeer’s 'Girl Reading a Letter at an Open Window' in a New Guise" in exh. cat. Dresden 2021, 159–190. 2021 exhcats
NETTA, Irene. "Jan Vermeer. Die Sphinx von Delft." Weltkunst, Jg. Heft 10, Ausgabe 15. May 1996, S. 1148–1150. 1996
NETTA, I. Das Phänomen Zeit bei Jan Vermeer van Delft: Eine Analyse der innerbildlichen Zeitstrukturen seiner ein- und mehrfigurigen Interieurbilder. Hildesheim, 1996. 1996
NETTA, Irene. "The Phenomenon of Time in the Art of Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
NETTA, Irene. Vermeer's World: An Artist and His Town. New York and London: Prestel, 2001. 2001
NETTA, Irene. "Zeit als gestalterisches Element bei Jan Vermeer van Delft und Bill Viola." In Geschichten des Augenblicks. Projektionen (Film, Dia, Video) zum Thema Erzählung und Langsamkeit / Moments in Time. On Narration and Slowness. Ausst. Kat. Städtische Galerie im Lenbachhaus, München 1999, S. 143–155. 1999
NEURDENBURG, Elisabeth. "Johannes Vermeer. Eeenige opmerkingen naar aanleding van de nieuwste studies over den Delftschen Schilder." Oud Holland 59 (1942): 61–75. 1942
NEURDENBURG, Elisabeth. "Nog enige opmerkingen over Johannes Vermeer van Delft." Oud Holland 66 (1951): 33–34. 1951
NEVITT JR., H. Rodney. "Vermeer and the Question of Love." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits. Cambridge, UK and New York: Cambridge University Press, 2001. 2001
NICHOLAS, Lynn H. The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War. New York, 1994. 1994
NICODEMI, Giorgio. "Jan Vermeer di Delft." Emporium 60 (1964): 665-682. 1964
OBERTHALER, Elke, Jaap J. Boon, Sabine Stanek, and Martina Greisser. "'The Art of Painting' by Johannes Vermeer: History of Treatments and Observations on the Present Condition." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 215–233. 2010
OBREEN, F.D.O. "Iets over den Delftschen schilder Johannes Vermeer" in Archief voor Nederlandsche Kunstgeschiedenis, Rotterdam 1877–1890, vol. 4 (1881–1882), 289–303. 1877
NICHOLSON, Benedict. Vermeer, A Lady at the Virginals. London, 1946. 1946
O'CONNOR, A. "A Note on the Beit Vermeer" in The Burlington Magazine 119 (1977), no. 889, 272–275. 1977
OCTAVIAN, Tudor. Vermeer și criticii săi: Un dosar deschis. București: Editura Meridiane, 1988. 1988
OLSON, D.W. et al. "Dating Vermeer’s View of Delft" in Sky & Telescope 140 (September 2020), 24–29. 2020
OVERBEEK, J.M.C. van. "Jan Vermeer en zijn Delftsche Omgeving." Elsevier’s Geïllustreerd Maandschrift 45 (1935), 231–238. 1935
PACKER, Michelle V. "Building Up and Tearing Down: The Persistent Attraction of Images of Demolished Buildings in Seventeenth-Century Dutch Art." Journal of Historians of Netherlandish Art 4, no. 1 (Winter 2012): Accessed December 18, 2023. URL: https://jhna.org/articles/building-up-tearing-down-persistent-attraction-images-demolished-buildings-seventeenth-century-dutch-art/ 2012 web
PARIS, Jean. "Vermeer et ses personnages prisonniers de leur rêves." Connaissance des Arts, no. 176 (October 1966): 84–88. 1966
PERL, Jed. "Johannes Vermeer's 'Young Woman with a Water Jug'." Arts Magazine 53, no. 5 (January 1979): 118–121. 1979
PESCIO, Claudio. Vermeer (L'Art Dossier). Florence: Giunti Editore, 2012. 2012
PEER, A.J.J.M. "Was Jan Vermeer van Delft Katholiek?" in Katholiek Cultureel Tijdschrift 2 (August 1946), 468–470. 1946
PEER, A. J. J. M. "Drie collecties schilderijen van Jan Vermeer." Oud-Holland 72 (1957): 92. 1957
PEER, A. J. J. M. van. "Rondom Jan Vermeer van Delft." Oud Holland 74 (1959): 243–234. 1959
VAN PEER, A. J. J. M. "De doop van Jan Vermeer." Archief voor de Geschiedenis van de Katholieke Kerk in Nederland 2 (1960): 299–307. 1960
PEER, A. J. J. M. "Jan Vermeer van Delft: drie archiefvondsten." Oud-Holland 83 (1968): 220. 1968
PEETERS, Harry. "Vermeer and his Work. A View."In Haks Donald Marie Christine van der Sman Johannes Vermeer and Haags Historisch Museum. 1996. Dutch Society in the Age of Vermeer. The Hague Zwolle: Hague Historical Museum; Waanders, 1996. 1996
PÉNOT, Sabine. "Johannes Vermeer's 'The Art of Painting': A Picture Marked by Light. Questions on Pictorial Invention." In exh. cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 41–65. 2010
PÉNOT, Sabine. "Ambitions of Eternal Renown; The Art of Painting." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books, 2023. 266–270. 2023 mongrfs exhcats
PIJZEL-DOMMISSE, J. Het Hollandse pronkpoppenhuis: Interieur en huishouden in de 17de en 18de eeuw. Amsterdam/Zwolle, 2000. 2000
PLASSCHAERT, Albert. Johannes Vermeer en Pieter de Hooch. Amsterdam, 1924. 1924
PLECHL, P. M. "St. Praxedis ist eine Kopie und doch ein echter Vermeer." Die Presse (Wissenschaft), 2–3 May 1987. 1987
PLIETZSCH, Eduard . Vermeer van Delft. Leipzig, 1911. 1911
PLIETZSCH, Eduard . Johannes Vermeer van Delft. Leipzig, 1917. 1917
PLIETZSCH, Eduard . Vermeer van Delft. Munich, 1939. 1939
PLOEG, Peter van der. "De vierde Vermeer/The Fourth Vermeer" [On Vermeer's 'The Art of Painting'], Mauritshuis in Focus 18, no. 1 (2005): 8–15. 2005
PLOMP, M.C. "Along the City Walls. An Imaginary Walk through Seventeenth-Century Delft." In exhibition catalog, New York/London 2001, 549–556. 2001
POPS, M. (ed.), Vermeer, Salmagundi. A Quarterly of the Humanities and Social Sciences. Published by Skidmore College, 1979, nos. 44–45. 1979
POPS, Martin. Vermeer: Consciousness and the Chamber of Being. Ann Arbor: UMI Research Press, 1984. 1984
POTTASCH, Carol, Hoppe, Ruth, and Kolfin, Elmer. "'Diana,' Vermeer and Technical Ambiguity. The Metamorphosis of an Early Painting by Vermeer." ArtMatters-Netherlands Technical Studies in Art 1, 2002. 2002
PRATER, A. Vermeer und Epikur. Lebenslust in der Kunst der Frühaufklärung. Berlin/Boston, 2021. 2021
PRESTON, A. (ed.), Vermeer (Marshall Cavendish’s Meesters in de Schilderkunst. Het leven en werk van grote schilders, 4). Gilze, 1996. 1996
PRIEM, R. et al. Vermeer, Rembrandt and the Golden Age of Dutch Art. Masterpieces from the Rijksmuseum. Exhibition Catalog. Vancouver: Vancouver Art Gallery, 2009. 2009
PROUST, Marcel. and A. Malraux. Vermeer de Delft. Paris, 1952. 1952
PROUST, Marcel. In Search of Lost Time, translated by C. Moncrieff and T. Kilmartin, revised by D. Enright. New York: Modern Library, 1992. 1992
PRÜGEL, Roland. "Reflexive Appropriation, Critical Transformation: Paraphrases of Vermeer's 'Art of Painting' in the 20th and 21st Centuries." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 111–117. 2010
QUODBACH, Esmeé. "America's First Vermeer: 'Young Woman with a Water Pitcher' in the Metropolitan Museum of Art." In Collecting for the Public, edited by Bart Cornelis, Ger Luijten, Louis Van Tilborgh, and Tim Zeedijk, 2016, 78–83. 2016
QUODBACH, Esmée. "The 'Sphinx of Delft': Rediscovering Vermeer at The Frick Collection." Members' Magazine (Summer 2008). 2008
QUODBACH, Esmeé. "The Life of a Painting: Some New Findings on Vermeer's 'Girl Interrupted at her Music' in the Frick Collection." In Jonathan Bikker, Erik Hinterding, Everhard Korthals, and Eddy Schavemaker (eds.), "Gij zult niet feestbundelen". 34 bijdragen voor Peter Hecht, Amersfoort (2016): 160–168. 2016
RAAB, Theodore K. "Why is Vermeer so Revered?" The Art Newspaper 208 (1 December 2009): 39–40. 2009
RAMBACH, Christiane. Vermeer und die schärfung der sinne. Weimar: VDG, 2007. 2007
RAND, Harry. "Wat maakte de 'Keukenmeid' van Vermeer?" The Rijksmuseum Bulletin (1998): 275–278. 1998
RECH, Adelheid. "Constantijn Huygens: Lord of Zuilichem (1596–1687)." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/history/huygens.html. web
RECH, Adelheid. "Traditional Music and Dances in the Time of Vermeer." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/folk_music/folmusic_start.html. web
RECH, Adelheid. "The Carillon." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/music/carillon/carillon_a.html. web
RECH, Adelheid. "Music in the Time of Vermeer." Essential Vermeer. October, 2005. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/music/music_start.html. web
RECH, Adelheid and Jonathan Janson. "Maps of Delft." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/maps/delft/maps_of_delft.html. web
RECH, Adelheid. "Lace and Lacemaking in the Time of Vermeer." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/lace/lace.html. web
REISS, S. "Review of Swillens 1950." The Burlington Magazine 94 (1952), no. 591, 18. 1952
REGTEREN ALTENA, I.Q. van. "Een jeugdwerk van Johannes Vermeer." Oud Holland 75 (1960): 175–194. 1960
REMERY-VOSKUIL, M. "Een meisjeskostschool in de 17de eeuw in de Delftse Papenhoek." Lessen (2013), no. 1, 22–27. 2013
RÉRAT, Alain. Vermeer. Paris, 1993. 1993 monogrfs
RENZI, Lorenzo. Proust e Vermeer: Apologia dell' Imprecisione. Bologna: II Mulino, 1999. 1999
RICCÒMINI, Eugenio. La luce segreta di Vermeer: La ragazza con l'orecchino di perla e gli altri capolavori della pittura fiamminga e olandese del secolo d'oro. Bologna: Pendragon, 2014. 2014
RICCI, Seymour de. "Le quarante-et-unième Vermeer." Gazette des Beaux-Arts 69 (1927). 1927
RICHARD, P. "Trying to Verify a Vermeer." International Herald Tribune 25 (1987): 18. 1987
RIJNEBURG, Danny A.E.D. Hartmann van. Van geloof tot ongeloof, een museum gaat onderuit: ontdekkingen bij dubbelspel, een speurtocht naar het werkelijke leven van Johannes Vermeer en zijn verdwenen schilderijen. Delft: Alevo, 2015. 2015
RICHARD, P. "Trying to Verify a Vermeer." International Herald Tribune 25 (1987): 18. 1904
RINNOOY KAN, Justine. "The Vermeer exhibition of 1935: A major debut in historical perspective." Oud Holland: Journal for Art of the Low Countries (2021) 134(4), 210-234. 2021
RITTERS, Volker. Die Malkunst 1665 von Johannes Vermeer van Delft: gedeutet nach der verborgenen Geometrie. Norderstedt: Books on Demand, 2014. 2014
ROBINSON, James. "Vermeer." Classical Realism Journal 2 (1997). 1997
ROBINSON, James. "Vermeer." Classical Realism Journal 3, no. 2 (1997). 1997
ROBINSON, James. "Vermeer, II." Classical Realism Journal 4, no. 1 (1997). 1997
ROELOFS, P. "Making the Difference. Vermeer and Dutch Art." In exh. cat. Making the Difference. Vermeer and Dutch Art, Tokyo (Ueno Royal Museum)/Osaka (Osaka City Museum of Fine Arts), 2018, 30–33. 2018
ROELOFS, Pieter and Gregor J. M. Weber. Vermeer. Rijksmuseum, Amsterdam: Hannibal Books, 2023. 2023 monogrfs exhcats
ROELOFS, Pieter. "Johannes Vermeer (Delft 1632-1675) Modestly Masterful." In exh. cat. Vermeer, edited by Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books, 2023, 26–42. 2023 monogrfs exhcats
ROELOFS, Pieter. "Closer to Vermeer: A Look Inside the Family Home of the Delft Painter." In exh. cat. Vermeer, edited by Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books, 2023, 42–94. 2023 monogrfs exhcats
ROELOFS, Pieter. "Venturing into Town." In exh. cat. Vermeer, edited by Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books, 2023, 140–143. 2023 monogrfs exhcats
ROODENBURG, Herman. "Visiting Vermeer: Performing Civility." In Amy Golahny, Mia M. Mochizuki, and Lisa Vergara (eds.), In His Milieu. Essays on Netherlandish Art in Memory of J.M. Montias, Amsterdam 2006, 385–394. 2006
ROOSES, M. "De Hollandsche Meesters in de National Gallery te London. Jan Vermeer van Delft. Het vrouwtje bij het klavier." Elseviers Geïllustreerd Maandschrift 15 (1898): 352–360. 1898
ROTTERDAM, Museum Boymans. ex. cat. Vermeer, Orsprong en lnvloed, Fabritius, De Hooch, De Witte (Rotterdam: Museum Boymans, 1935). 1935 exhcats
RUINA, Epco and van de Ploeg, Peter. Vermeer in Mauritshuis. Zwolle: Waanders Publishers, 2006. 2006
RÜGER, Axel. Vermeer and Painting in Delft. London: National Gallery London, 2001. 2001 exhcats
RÜSSELER, Ariana. "Die Entdeckung einer Camera obscura in Jan Vermeer van Delfts Gemälde Die Malkunst." Zeitschrift für Kunstgeschichte 69 (2006): 541–547. 2006
SALAMON, Nanette. "Vermeer and the Balance of Destiny" In Anne-Marie Logan, ed., Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on his Sixtieth Birthday (Doornspijk: Davaco, 1983), 216–221. 1983
SALOMON, Nanette, "From Sexuality to Civility: Vermeer's Women." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
SALOMON, N. Shifting Priorities: Gender and Genre in Seventeenth-Century Dutch Painting. Stanford: Stanford University Press, 2004. 2004
SALOMON, Xavier. Masterpiece a Month: Presiding Genius. London: Dulwich Picture Gallery, 2011. 2011
SAMUEL, Edgar R. "The Disposal of Diego Duarte's Stock of Paintings, 1692–1697." Jaarboek van het Koninklijk Museum voor Schone Kunsten Antwerpen 30 (1976): 324. 1976
SCHAIBLE, V. "Ars aeterna. Von der Utopie, Kunstwerke für alle Ewigkeit zu erhalten." In R. Bier (ed.), Der Vermeer-Sensor. Wertzuschreibungen und Werterhaltung von Ding und Kunst in Zeiten der Überfülle, Stuttgart, 2016, 108–120. 2016
SCHLENKE, H. Vermeer, mit Spinoza gesehen. Berlin, 1998. 1998
SCHUHL, P.-M. “Dans La Lumière de Vermeer.” Revue Philosophique de La France et de l’Étranger 156 (1966): 493–95. 1966
SHELDON, Libby. "Johannes Vermeer's 'Young Woman Seated at a Virginal'." The Burlington Magazine 148 (2006): 89–97. 2006
SHELDON, Libby. "Blue and Yellow Pigments: The Hidden Colours of Light in Cuyp and Vermeer." Art Matters, Netherlands Technical Studies in Art 4 (2007): 97–102. 2007
SHELDON, Libby."The Newest Vermeer: How Technical Research Convinced the Doubting Scholars." The Picture Restorer, no. 41 (Autum 2012): 14–18. 2012
SCHILDERS, Gunther. "Visscer's Wall Map of the Seventeenth Provinces (1636) and Its Counterpart in Vermeer's 'Art of Painting'." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 77–99. 2010 mongrfs exhcats
SCHMIDZ-VON LEDENBUR, Katja. "Remarks on the Textiles in Vermeer's 'The Art of Painting'." In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 93–103. 2010 monogrfs exhcats
SCHNEIDER, Norbert, Jan Vermeer 1632.1675: Veiled Emotions, Cologne: Taschen; Trade Paperback Editione, 1994. 1994 mongrphs
SCHlENKE, Hubertus. Vermeer, mit Spinoza gesehen. Berlin, 1998. 1998
SCHÖLZEL, Christoph. "On the Creation of the Painting 'Girl Reading a Letter at an Open Window' by Johannes Vermeer" In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. 2010 mongrfs exhcats
SCHUTT, Friederike. "The Entire World Inside." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 242–246. 2023 monogrfs exhcats
SCHÜTZ, K. Vermeer. Das vollständige Werk. Cologne, 2017. 2007
SCHWARTZ, Gary "How Vermeer and his generation stole the thunder of the Golden Age." L ecture. Royal Netherlands Academy of Arts and Sciences. Uhlenbeck Lecture 32. Wassenaar, 2014/1. 2014
SCHWARTZ, Gary. "332: Vermeer's Blood-sopping Saint." The Schwartzlist. 30 June, 2014; edited on 11 July, 2014. Accessed December 18, 2023. URL: https://www.garyschwartzarthistorian.nl/332-vermeer-s-blood-sopping-saint/ 2014 web
SCHWARTZ, Gary. "348: Today in Delft 340 Years Ago." The Schwartzlist. 30 September, 2016. Accessed December 18, 2023. URL: https://garyschwartzarthistorian.com/2016/09/30/348-today-in-delft-340-years-ago/ 2016 web
SCHWARTZ, Gary. Vermeer in Detail. Abrams, 2017. 2017 mongrphs
SCHWARTZ, G. "405: Early Vermeer Body Fluids." Schwartzlist (10 May 2022). Accessed December 18, 2023. URL: https://www.garyschwartzarthistorian.nl/405-early-vermeer-body-fluids/ 2022 web
SCHWARTZ, Heinrich, "Vermeer and the Camera Obscura." Pantheon XXIV (1966). 1966
SEDLMAYR, H. "Der Ruhm der Malkunst. Jan Vermeer 'De schilderconst'." In Festschrift für Hans Jantzen, edited by K. Bauch, 169–177. Berlin, 1951. 1951
SEDLMAYR, Hans. "Jan Vermeer, 'De Schilderkunst'." Hefte des Kunsthistorischen Seminars der Universitiit Miinchen 7–8 (Munich: University of Munich (1962). 1962
SEIFERT, Christain Tico. "Early Visions: Vermeer's Journey from Bible to Brother." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 126–135. 2023 mongrphs exhcats
SERRES, M. Über Malerei. Vermeer – La Tour – Turner. Dresden/Basel, 1995. 1995
SETH, Lennart. "Vermeer och van Veens 'Amorum Emblemata'." Konsthistorisk tidskrift 49, no. 1 (June 1980): 24. 1980
SEYMOUR, C. Jr. "Dark Chamber and Light-Filled Room: Vermeer and the Camera Obscura." Art Bulletin 46, (1964): 323–331. 1964
SEYMOUR, R. de. "Le quarante-et-unième Vermeer." Gazette des Beaux-Arts 69 (1927): 305–310. 1927
SHAWE-TAYLOR, Desmond, and Quentin Buvelot. "'The 'Broad-Bottomed Dutch School'." Royal Taste and Netherlandish Painting." In exh. cat. Masters of the Everyday. Dutch Artists in the Age of Vermeer. Chicago: University of Chicago, 2015. 2015 exhcats
SHAWE-TAYLOR, Desmond. "The Art of Music" [about 'The Music Lesson' by Vermeer], Apollo 173 no. 585 (March 2011): 108–113. 2011
SHELDON, L., and N. COSTARAS. "Johannes Vermeer’s 'Young Woman Seated at a Virginal'." The Burlington Magazine 148 (2006), no. 1235, 89–97. 2006
SHELDON, L. "The Newest Vermeer. How Technical Research Convinced the Doubting Scholars." The Picture Restorer 41 (2012): 14–18. 2012
SIVIL, Valeriel, Joris Dik, Paul Alkemade, Libby Sheldon and Henny Zandbergen. "The Cloak of 'Young Woman Seated at a Virgina': Vermeer, or a Later Hand?" Art Matters, Netherlands Technical Studies in Art 4 (2007): 91–96. 2007
SIX, J. "De Techniek van Vermeer in 'Een meyd die melk uytgiet'." Bulletin Nederlandschen Oudheidkundigen Bond 2nd series, 1 (1908), 1–5. 1908
SIX, J. "Een gesicht van eenigen huysen van Vermeer." Oude Kunst 4 (1918), 32–35. 1918
SLAGER, H.G. "Johannes Vermeer and his Neighbours." May 2018. Accessed December 18, 2023. URL: 2018 web
SLAGER, H.G. "Vermeer’s House Revisited." 2018. Online paper, Essential Vermeer. AccessedDecember 18, 2023. URL: http://www.essentialvermeer.com/history/vermeers-house-revisited-slager.pdf 2018 web
SLAGER, H.G. "Johannes Vermeer and Rhoon Castle." 2022. Essential Vermeer. Accessed December 18, 2023. URL: www.essentialvermeer.com/misc/Johannes-Vermeer-and-Rhoon-castle.pdf 2022 web
SLATKES, Leonard. Vermeer and his Contemporaries. New York: Abbeville, 1981. 1981 monogrfs
SLATKES, Leonard J. "Utrecht and Delft: Vermeer and Caravaggism." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
SLATKES, van Scendel, "'The Love Letter' Restored." Bulletin van het Rijksmuseum 20 (1993). 1993
SLIVE, Seymour. "'Een dronke slapende meyd aen een tafe!' by Jan Vermee." In A. Kosegarten and P. Tigler, eds., Festschrift Ulrich Middeldorf (Berlin: Walter Gruyter, 1968), 452–459. 1968
SLUIJTER, Eric Jan, "Vermeer Fame, and Female Beauty: The Art of Painting." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
SMITH, David. "Vermeer's 'Allegory of Faith'." Paper given at the annual College Art Association Conference, New York, 2007 2007
SMITH, David R. "Vermeer and iconoclasm." Zeitschrift Für Kunstgeschichte. (2011): 193–216. 2011
SMITH, John. A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith, 1829–1842). 1829
SMOLA, Franz. "Exkurs: Der Fall des Bildes von Vermeer aus der Sammlung Czernin." In Die Fürstlich Liechtenstein'sche Kunstsammlung: Rechtsfragen zur Verbringung der Sammlung von Wien nach Vaduz in den Jahren 1944/45. Rechtshistorische Reihe 197 (1999): 209–220. 1999
SNOW, Edward A. A Study of Vermeer, 2nd. rev. ed. Berkeley: University of California Press, 1979. 1979 monogrfs
SOKLOVA, Irina. Johannes Vermeer: 'The Geographer'. State Hermitage Publishing House, 2016. 2016
SONNENBURG, Hubert von. "Technical Comments." Bulletin of the Metropolitan Museum of Art 31 (Summer 1973). 1973
SOTHEBY'S. Old Master Paintings, Part 1. London: Sotheby's, 2004. 2004
SPAANS, Erik. "Vendetta voor Vermeer." De Tijd (13 May 1994): 40-44. 1994
SNYDER, Laura J. Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing. New York: W. W. Norton & Company, 2016. 2016
STEADMAN, Philip. "In the Studio of Vermeer." In The Artful Eye, edited by Richard Gregory et al., 353-72. Oxford: Oxford University Press, 1995. 1995
STEADMAN, Philip. Vermeer's Camera: Uncovering the Truth behind the Masterpieces. Oxford: Oxford University Press, 2001. 2001 monogrfs
STEADMAN, Philip. "Allegory, Realism, and Vermeer's Use of the Camera Obscura," Early Science and Medicine, vol. 10, no. 2, "Optics, Instruments and Painting, 1420–1720 Reflections on the Hockney-Falco Thesis" (2005): 287–313. 2005
STEADMAN, Philip. "Vermeer and the problem of 'painting' inside the camera obscura." Bildwelten Des Wissens. (2004: 76–86). 2004
STEADMAN, Philip. "Vermeer's 'The Little Street': A More Credible Detective Story." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/delft/little-street-steadman/little-street-steadman.html web
STEADMAN, Philip. "Reconstructions of Vermeer's Rooms." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/vermeers_rooms.html web
STENEBERG, K. E. "Vermeer's Malarfilosofi." Symbolirter i tidrkriji Jar konstvetexkap 30 (1957): 125-147. 1957  
STERCKX, Pierre. Les mondes de Vermeer. Pruis: Presses Universitaires de France, 2009. 2009 monographs
STRINATI, Claudio. Una lettera d'amore dall'Olanda: Vermeer a Palazzo Barberini. [Roma]: Galleria Nazionale d'Arte Antica di Palazzo Barberini. 2006. 2006
STONE, Harriet. "Bearing Witness to the Light: Descartes and Vermeer," Intersections, Actes du 35th annuel de la North American Society for Seventeenth-Century French Literature, eds. Faith E. Beasley and Kathleen Wine, Dartmouth College, May 8–10, 2003. 2003
STONE, Harriet. Tables of Knowledge, Descartes in Vermeer's Studio. Oxford: Oxford University Press, 2006. 2006
STORK, David. "Did Johannes Vermeer use a Telescope while Painting?" IFAR Journal 21(1 & 2): 43–50 2022. 2022
SÜCHTELEN, Ariane van. "Fashionable Intruders." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 174–179. 2023 monogrfs exhcats
SULZBERGER, Suzanne. "Ajoute à la bibliographie de Vermeer de Delft." Kunsthistorische Mededelingen van het Rijksbureau voor Kunsthistorische Documentatie 3, no. 2 (1948): 37. 1948    
STRAATEN, Evert van. Johannes Vermeer 1632–1675: een Delfts schilder en de cultuur van zijn tijd. 's-Gravenhage: Staatsuitgeverij, 1977. 1977 monogrfs
SUTTON, Peter C. "Love Letters: Genre Paintings in the Age of Vermeer." In Dublin and Greenwich, 14-49. Dublin and Greenwich: [Publisher], 2003-2004. 2003  
SUTTON, Peter, with contributions by Lisa Vergara and Ann Jensen Adams. Love Letters: Dutch Genre Paintings in the Age of Vermeer. London, 2004. 2004 exhcats
SUTTON, Peter. Vermeer and the Delft Style. exh. cat. Tokyo, Hata Stichting Foundation with Random House Kodansha, 2008. 2008 exhcats
SWEET, Christopher. The Essential Johannes Vermeer. New York, 1999. 1999 monogrfs
SWILLENS, Pieter T. A. "Een perspectivische studie over de schilderijen van Jan Vermeer van Delft." De Kunst 7 (1929): 129-161. 1929  
SWILLENS, Pieter T. A. "Johannes Vermeer van Delft, 31 Oct. 16321 Dec. 1675." Opgang 12 (1932): : 689-699. 1932  
SWILLENS, Pieter T. A. Johannes Vermeer, Painter of Delft 1632–1675. Utrecht: Spectrum, 1950. 1950 monogrfs
TAYLOR, Paul. "Vermeer, Lairesse and Composition." In Hofstede de Groot-lezing, Rijksbureau voor Kunsthistorische Documentatie, Zwolle: Waanders Publishers, 2010. 2010
TAYLOR, Michael. Les mensonges de Vermeer. Paris: Éditeur Biro, 2010. 2010 monogrfs
TATLOCK, Robert. "Vermeer's 'Girl with a Flute'." Burlington Magazine 39 (1921), 28–33. 1921
TATLOCK, Robert. "Shorter Notices: Vermeer's 'Guitar Player'." Burlington Magazine 52 (January 1928): 40–42. 1928
TAZARTES, M. Masters of Art. Vermeer. Munich, 2012. 2012 monogrfs
THIEL, Pieter J. J. van. "The Damaging and Restoration of Vermeer's 'Love Letter'." Bulletin van het Rijksmuseum 20 (1972). 1972
THIEL, P. J. J. van, and Luitsen Kuiper. Purloined, damaged, recovered, restored: Vermeer's "The Letter." Amsterdam: Delta, 1973. 1973
THEINEN, Frithjof van. Jan Vermeer of Delft. New York, 1949. 1949 monogrfs
THORÈ-BÜRGER, Théophile J. Bürger (William Burger). Musées de la Hollande. 2 vols. Paris, 1858–1860. 1858
THORÈ-BÜRGER, Théophile J. Bürger (William Burger). "Galerie d’Arenberg à Bruxelles avec la catalogue complet de la collection." Paris/Brussels/Leipzig, 1859. 1859
THORÈ-BÜRGER, Théophile J. Bürger (William Burger). "Galerie de MM. Pereire." Paris, 1864. 1864
THORÈ-BÜRGER, Théophile J. Bürger (William Burger). "Meisterwerke der Braunschweiger Galerie. In Radierungen von William Unger. III. Das Mädchen mit dem Weinglase. Oelgemälde von Jan van der Meer." Zeitschrift für bildende Kunst 3 (1868): 262–263. 1868
THORÈ-BÜRGER, Théophile J. Bürger (William Burger). "Van der Meer de Delft." Gazette des Beaux-Arts 21 (October–December 1866): 297–330, 458–470, 542–575, no. 26/27. 1866 monogrfs
THORÈ-BÜRGER, Théophile J. Bürger (William Burger). "Nouvelles études sur la galerie Suermondt à Aix-la-Chapelle." Gazette des Beaux-Arts 24 (1869): 5–187. 1869

THORSTEN SMIDT, Bearb. Johannes Vermeer: 'Der Geograph': Die Wissenschaft der Malerei. Kassel, 2003.

2003
TOLNAY, Charles de. "L'Atelier de Vermeer." Gazette des Beaux-Arts 41 (1953), 265–272. 1953
TOORIANS, Laurens. "Gabriel Metsu, More Famous than Vermeer Once." The Low Countries. Arts and Society in Flanders and the Netherlands 19 (2011): 306–308. 2011
TRAUTSCHOLDT, E. "Johannes Vermeer." Thieme-Becker XXXIV (1940): 265. 1940 monogrfs
TURAIT, Paolo. Luce d'Orange: La Strana Vita di Jan Vermeer. Torino: Ananke, 2007. 2007
VALENTINER, Wilhelm Reinhold. "Newly discovered Vermeer." Art in America, vol. 16 (1928). 1928
VALENTINER, Wilhelm R. "Zum 300. Geburtstag Jan Vermeers, Oktober 1932: Vermeer und die Meister der Holländischen Genremalerei." Pantheon 5 (October 1932): 305–324. 1932
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Who's that Girl? (Introduction to research project). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/1-whos-that-girl/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Preparing for exam ( What will happen in the Golden Room). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/2-preparing-for-the-exam/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Beauty is more than skin deep (Samples / Imaging ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/3-beauty-is-more-than-skin-deep/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Vermeer illuminated (1994 treatment). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/5-vermeer-illuminated/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Say cheese (Technical photography). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. A blank canvas (Canvas). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/7-a-blank-canvas/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. From the ground up (Ground). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/8-from-the-ground-up/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Watching paint dry (Oil). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/9-watching-paint-dry/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Art supply and demand (Paint, and where materials come from). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/10-art-supply-and-demand/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Seeing red (Vermilion and cochineal ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/11-seeing-red/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. It's all there in black and white (Blacks and lead white ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/12-its-all-there-in-black-and-white/ xx 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Background check (Background ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/13-background-check/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Up close and personal (Under the microscope). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/14-up-close-and-personal/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Contouring, highlighting and blending (Skin ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/15-contouring-highlighting-and-blending/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Dressed to impress (Yellow and browns ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/16-dressed-to-impress/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Out of the blue (Blues). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/17-out-of-the-blue/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Glazed over (Glazes and varnish). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/18-glazed-over/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. You’re crackin me up (Cracks). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/19-youre-cracking-me-up/ 2020 web
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Wrap-up (Wrap-up). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/20-wrapup 2020 web
VANDERVERE, A., Wadum, J., and Leonhart, E. "The Girl in the Spotlight: Vermeer at Work, his Materials and Techniques in 'Girl with a Pearl Earring'." Herit Sci 8, 20 (2020). Accessed December 18, 2023. URL: https://doi.org/10.1186/s40494-020-0359-6 2020 web
VANDIVERE, Abbie et al. "Revealing the Painterly Technique Beneath the Surface of Vermeer’s Girl with a Pearl Earring Using Macro- and Microscale Imaging." Herit Sci (2019) 7:64. Accessed December 18, 2023. URL: https://doi.org/10.1186/s40494-019-0308-4 2019 web
VANZYPE, Gustave. Jan Vermeer de Delft. Brussels and Paris, 1908. 1908 monogrfs
VANZYPE, Gustave. Vermeer de Delft. Paris and Brussels, 1921. 1925 monogrfs
VANDVLIET, Kees, "Vermeer and the Significance of Cartography in Science."In Scholarly World of Vermeer, edited by Klaas van Berkel, Ton Brandenbarg, and Rijksmuseum Meermanno-Westreenianum, 1-10. Zwolle/The Hague: Waanders Publishers; Museum van het Boek/Museum Meermanno-Westreenianum, 1996. 1996
VEEN, Jaap van der, "The Delft Art Market in the Age of Vermeer." In Dutch Society in the Age of Vermeer, exhibition catalog edited by Haks Donald, Marie Christine van der Sman, Johannes Vermeer, and Haags Historisch Museum, 1996, The Hague: Hague Historical Museum; Zwolle: Waanders: 124–135. 1996
VEEN, Jaap Van der. "Review of Montias, Vermeer and His Milieu: A Web of Social History." Oud Holland 106 (1992), 95–101. 1992
VEENSTRA, D. Johannes Vermeer. Klein in omvang, groot in schoonheid. Groningen, 1996. 1996 monogrfs
VENEZIA, M. Johannes Vermeer. New York, 2002. 2002 monogrfs
VERGARA, Lisa, "Antiek and Modern in Vermeer's 'Lady Writing a Letter with Her Maid'." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
VETH, Jan. Premie-uitgave 1908: Schilderijen van Johannes Vermeer in Nederlandsche verzamelingen. 1908. 1908
VERGARA, Lisa, "Perspectives on Women in the Art of Vermeer." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001. 2001
VERGARA, L. "Antiek and Modern in Vermeer’s 'Lady Writing a Letter with her Maid'." In Gaskell and Jonker 1998, 234–255. 1998
VERGARA, Alejandro, Mariët Westerman, and Laura A.E. Suffield. Vermeer and the Dutch Interior, exh. cat. Madrid (Museo Nacional del Prado) 2003. 2003 monogrfs exhcats
VERGARA, Alejandro ed. Velázquez, Rembrandt, Vermeer: Parallel Visions / Velázquez, Rembrandt, Vermeer: Miradas. e xh. cat. Museo Nacional del Prado, Madrid, June 24–September 29, 2019. Madrid: Museo Nacional del Prado, 2019. 2019 exhcats

VERGARA, L. "Women, Letters, Artistic Beauty. Vermeer’s Theme and Variations." In exh. cat. Love Letters: Dutch Genre Paintings in the Age of Vermeer, 2004, Dublin/Greenwich 2003, 50–62.

2003
VERSLYPE, Ige, "The restoration of 'Woman in Blue Reading' a Letter by Johannes Vermeer." The Rijksmuseum Bulletin vol. 60 (2012): 2–19. 2012
VETH, J. Schilderijen van Johannes Vermeer in Nederlandsche Verzamelingen. Amsterdam, 1908. 1908
VETH, J. "Gemälde von Johannes Vermeer in niederländischen Sammlungen." Kunst & Künstler 8 (1910): 102–117. 1910
VIDAL, Belén. " The Scene of Writing: The Letter." In Figuring the Past: Period Film and the Mannerist Aesthetic, 163–200. Amsterdam University Press, 2012. 2012
VILLA, R. Vermeer. L’oeuvre complet. Milan, 2012. 2012 mongrfs
VINCE, Lea van der. "Het meisje in Japan/The Girl in Japan." Mauritshuis in Focus 25 no. 2 (2012): 6–13. 2012
VINDE, Lea van der. "Dalí ontmoet Vermeer—Moderne meesters te gast / Dalí meets Vermeer - Modern Masters Come to Visit." Mauritshuis in Focus 24 no. 2(2011): 6–14. 2011 exhcats
VINE, Lea van der, with contributions by Quentin Buvelot, Emilie Gordenker, Petria Noble and Lynn Federle Orr. Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis. Prestel Publishing. 2013. 2013
VISSER, Erik de. "The Puzzle Solved? Notes on the Early Provenance of Vermeer's 'The Art of Painting'." Essential Vermeer. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/history/provenance-art-of-painting.html web
VLIET, E. vand der. Vermeer en tijdgenoten. Delft, 2019. 2019
VLIS, Ingrid van der with Steven Jongma, Wim Weve and Bas van der Wulp. "In the Footsteps of Vermeer" In exh. cat. Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Waanders Uitgevers, Zwolle (2023): 116. 2023 monogrfs exhcats
VRIES, J. de. "Stadsgezicht van J. van der Meer." Eigen Haard 26 (1900), no. 32, 504–506. 1900 monogrfs
VRIES, L. de. "Tronies and Other Single Figured Netherlandish Paintings." Leids Kunsthistorisch Jaarboek 8 (1990): 185-202. 1990
VRIES, Ary Bob de. Jan Vermeer van Delft. Amsterdam, 1939. 1939 monogrfs
VRIES, Ary Bob de. Jan Vermeer of Delft. London, 1948. 1948 monogrfs
VRIES, Ary Bob d, and Huyghe, R. Jan Vermeer de Delft. Paris, 1948. 1948 mongrfs
VRIES, Ary Bob de.Jan Vermeer van Delft. Basel, 1949. 1949 monogrfs
VRIES, Ary Bob de. "Vermeer's 'Diana'." The Rijksmuseum Bulletin. Rijksmuseum: Amsterdam. (1954): 40–42. 1954
VRIES, Ary Bob de. "Johannes Vermeer van Delft (1632–1675). Het blauwe vrouwtje c. 1663." Openbaar Kunstbezit 9 (1965): 39a–b. 1965
VRIES, Ary Bob de."Vijf eeuwen schilderkunst. In het licht van Vermeer." Openbaar Kunstbezit 10 (1966): 45a–b. 1966
VRIES, Ary Bob de.Vermeer. London, 1967. 1967
WADUM, Jørgen, with contributions by L. Struik van der Loeff and R. Hoppenbrouwers. Vermeer Illuminated. Conservation, Restoration and Research, The Hague, 1994. 1994
WADUM, Jørgen, Johannes Vermeer (1632–1675) and His Use of Perspective, in Preprints Historical Painting Techniques, Materials, and Studio Practice. University of Leiden, 26–29 June (1995) 148–154. Malibu. 1995
WADUM, Jørgen & N. Costaras, "Johannes Vermeer's 'Girl with a Pearl Earring' De- & Re-Restored, in Restauration, Dé-Restauration, Re-Restauration." RAAFU (1995): 163–172. 1995
WADUM, Jørgen, "Vermeer in Perspective." In exh. cat. Johannes Vermeer, National Gallery of Art, Washington, D.C. Royal Cabinet of Pictures Mauritshuis, The Hague (1995–1996) 67–79. 1995 monogrfs exhcats
WADUM, Jørgen, "Les audaces techniques de Vermeer." Dossiers de l´Art 27 (1996): 30–41. 1996
WADUM, Jørgen, "Des perspectives curieuses et extraordinaires." Dossiers de l´Art 27, (Paris): 42–49.
WADUM, Jørgen. "Vermeer and the Spatial Illusion." In The World of Learning in the Time of Vermeer (exhibition cat.), Museum Meermanno-Westreenianum (Museum of the Book), The Hague, 31–49.
WADUM, Jørgen., "Vermeer's Use of Perspective, in Historic Painting Techniques, Materials, and Studio Practice." Reprints of a Symposium Held at the University of Leiden, The Netherlands, 26–29 June, 1995, Santa Monica, 1995. 1995
WADUM, Jørgen. "Gemälde mögen einige hundert Jahre bestehen, was genügt." Zwei Gemälde von Johannes Vermeer restauriert, in Restauro 3 (1996). München, 172–177. 1996
WADUM, Jørgen. "Vermeers zielgerichtete Beobachtungen." In exh. cat. Johannes Vermeer. Der Geograph und der Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie, Franckfurt am Main (1997) 31–38. 1997 exhcats
WADUM, Jørgen. "Contours of Vermeer." In Vermeer Studies, 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII, eds. I. Gaskel and M. Jonker. Washington/New Haven (1998): 201–223. 1998
WADUM, Jørgen. "De tent van Vermeer. Bedacht of niet bedacht," review of Philip Steadman's Vermeer's Camera: Uncovering the Truth behind the Masterpieces, in Vrij Nederland, 1 April 2001, 68. 2001
WADUM, Jørgen. "Review of Vermeer's Camera: Uncovering the Truth behind the Masterpieces, by Philip Steadman. Oxford: Oxford University Press, 2001." ArtMatters-Netherlands Technical Studies in Art 1 (2002). 2002
WADUM, Jørgen. "100 Years Ago Vermeer Visited SMK in Copenhagen." Wadum Art Technological Studies, 2020. Accessed December 18, 2023. URL: https://jorgenwadum.com/2020/03/23/100-years-ago-vermeer-visited-smk-in-copenhagen/ 2020 web
WADUM, Jørgen. "Technical Art History: Painters' Supports and Studio Practices of Rembrandt, Dou and Vermeer." Ph.D. diss., Amsterdam University, Institute of Art History, 2009. 2009
WADUM, Jørgen. "Vermeer and Faux Marbling." In The Power of Painting: Contributions from the Workshop and Science in Honor of Marlies Giebe, edited by Birgit Dalbajewa, Andreas Dehmer, Konstanze Krüger, Uta Neidhardt, and Christoph Schölzel, 42–43. Dresden: Staatliche Kunstsammlungen Dresden, 2020. 2020
WAIBOER, Adriaan E. "A Clean Competition: Some Hypotheses on Vermeer's Lost 'Gentleman Washing His Hands'." In Aemulatio: Essays in Honour of Eric Jan Sluijter, edited by A.W.A. Boschloo, S.S. Dickey, N.C. Sluijter-Seijfert, and J.N. Coutré, 407–418. Amsterdam, 2011.: 407–418. 2011
WAIBOER, Adriaan E. "Vermeer's Impact on His Contemporaries." Oud Holland 123 (2010): 51–64. 2010
WAIBOER, Adriaan E. "A View beyond Delft: Johannes Vermeer's 'Woman with a Lute' and Its Relationship to Frans van Mieris."Journal of Historians of Netherlandish Art 9:1 (Winter 2017) DOI: 10.5092/jhna.2017.9.1.16 2017
WAIBOER, Adriaan E. et al. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. New Haven and London: Yale University Press, 2017. 2017 exhcats
WAIBOER, A.E. "Innocence and Experience." In exh. cat. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. New Haven and London: Yale University Press, 2017, 157–163. 2017
WAIBOER, Adriaan E. Gabriel Metsu. Life and Work. A Catalogue Raisonné. New Haven/London, 2019. 2019
WALD, Robert. "'The Art of Painting': Observations on Approach and Technique." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 193–313. 2010 monogrfs exhcats
WALDEIS, P. "Erste gemeinsame Untersuchung des 'Geographen' und des 'Astronomen'." In exh. cat. Frankfurt 1997, 38–48. 1997
WALDMANN, E. "Ein neues Bild von Jan Vermeer van Delft." Kunst und Künstler 24 (1926): 186–187. 1926
WALSH, I. Jr. "Vermeer." The Metropolitan Museum of Art Bulletin 31, no. 4 (Summer 1973). 1973
WALLERT, Arie, and Joris Dik. "The Guitar Player: A Forgery, a Copy, or an Autograph Replica from Vermeer’s Workshop?" Zeitschrift für Kunsttechnologie und Konservierung 36, no. 2 (2023): 334-350.new icon 2023
WALICKI, Michal. Jan Vermeer van Delft, Dresden, 1970. 1970 monogrfs
WAALS, Jan van der. "In 'het Straatje' van Montias: Vermeer in Historische Context." Theoretische Geschiedenis 19 (1992): 179–180. 1992
WARFFEMIUS, A. "Jan Vermeers huis. Een poging tot reconstructie." Jaarboek Delfia Batavorum 2001: 60–78. 2001
WARFFEMIUS, A. 400 jaar kerken in ‘de Papenhoek’. De Maria van Jessekerk en haar voorgangers. Zeist/Delft, 2005. 2005
WATSON, F.J.B. "The Collections of Sir Alfred Beit: 1." Connoisseur 145 (1960): 156-163. 1960
WAUTERS, A. J. "A Portrait by Vermeer of Delft in the Brussels Museum." The Burlington Magazine for Connoisseurs vol. 8, no. 33 (December. 1905): 205–207. 1905
WEBER, Gregor J. M. "Antoine Dezallier d’Argenville und fünf Maler namens Jan van der Meer." Oud Holland 107 (1993): 298–304. 1993
WEBER, Gregor J. M."Zusammenklang von Tönen, Farben und Herzen. Thema und Variationen niederländischer Musikikonographie." Kunsthistorisches Jahrbuch Graz 25 (1993): 137-152. 1993
WEBER, Gregor J. M. " Johannes Vermeer, Pieter Jansz van Asch und das Problem der Abbildungstreue." Oud Holland 108 (1994): 98–106. 1994
WEBER, Gregor J. M. "Johannes Vermeer, ormai italiano?" Daidalos 60 (June 1996): 154–155. 1996
WEBER, Gregor J. M. "Vermeer's Use of the Picture-within-a-Picture: A New Approach." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.: 295–307. 1998
WEBER, Gregor J. M. "Caritas Romana. Ein neu entdecktes Bild im Bild von Johannes Vermeer." Weltkunst 70, 2 (February 2000): 225–228. 2000
WEBER, Gregor J. M. Review of Dieter Beaujean, Bilder in Bildern. Studien zur niederländischen Malerei des 17. Jahrhunderts, Weimar 2001. In Oud Holland 115, 3/4 (2001/2002): 217–223. 2001
WEBER, Gregor J. M. "Die Empirie des Lichtes. Anmerkungen zur Lichtbehandlung bei Johannes Vermeer." Kritische Berichte 30, 4 (2002): 38–57. 2002
WEBER, Gregor J. M. "Vermeer and Van Meegeren. The Hague, Dresden and Edinburgh; Rotterdam," review of The Young Vermeer and "The Fake Vermeers of Van Meegeren." In The Burlington Magazine CLII, Nr. 1291 (October 2010): 697–699. 2010
WEBER, Gregor J. M. "A Question of Framing: On Vermeer's 'Woman in Blue Reading a Letter'." The Rijksmuseum Bulletin vol. 60, 1 (2012): 20–27. 2012
WEBER, Gregor J. M. Woman in Blue Reading a Letter: Johannes Vermeer, Amsterdam 2013, 2nd ed. 2018. 2013
WEBER, G.J.M. "Der Cupido in Gemälden Vermeers." In exh. cat. Dresden 2021, pp. 131–161. English edition: G.J.M. Weber, "Cupid in Vermeer’s Paintings." In exh. cat. Dresden 2021, 125–155. 2021 exhcats
WEBER, Gregor. Johannes Vermeer: Faith, Light and Reflection. Nai010 Publishers, 2023. 2023 monogrfs
WEBER, J. M. "Pictorial World." In exh. cat. Vermeer, eds. Pieter Roelofs and Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 100–118. 2023 monogrfs exhcats
WEBER, J. M. "In Search of the Perfect Illusion of Space." In exh. cat. Vermeer, eds. Pieter Roelofs and Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 150–155. 2023 monogrfs exhcats
WEBER, J. M. "Up Close." In exh. cat. Vermeer, eds. Pieter Roelofs and Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 196–200. 2023 monogrfs exhcats
WEBER, J. M. "Paths to Inner Values." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 254–260. 2023 monogrfs exhcats
WELLER, Dennis. Small Treasures: Rembrandt, Vermeer, Hals, and their Contemporaries. North Carolina Museum of Art, Birmingham Museum of Art, Raleigh NC: North Carolina Museum of Art, 2014. 2014 exhcats
WELU, James A. "Vermeer's 'Astronomer': Observations on an Open Book." Art Bulletin 57 (1975). 1975
WELU, James A. "The Map in Vermeer's 'The Art of Painting'." Imago Mundi 30, 2nd series (1978). 1978
WELU, James A. Vermeer and Cartography. Ph.D. diss, Boston University, 1977. 1977
WELU, James A. Jan Vermeer. New York, 1981. 1981 monogrfs
WELU, James A. "Vermeer: His Cartographic Sources." Art Bulletin 57 (1997): 529–547. 1997
WERBKE, A. "Der Betrachter als Apoll. Vermeers 'Malkunst' und seine Berliner Bilder." Jahrbuch der Berliner Museen 40 (1998): 71–98. 1998
WESCHLER, Lawrence. Vermeer in Bosnia: A Reader. New York: Pantheon, 2004. 2004
WESTER, Peter. "A mere pre-discovery or a meaningful 'découverte'?: The early discovery of Johannes Vermeer by Jean-Baptiste Pierre Le Brun." Essential Vermeer, March 2015. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/history/le_brun.html 2015 web
WEVE, Wim. "Nogmaals het 'Straatje'." Cultuurhistorisch Bulletin Delft 8, no. 1 (2006), unpaginated. 2006  
WEVE, Wim. Vermeer en de Delftse topografie (Dutch only, with English summary). Zwolle: Uitgeverij Wbooks. 2023. 2023
WESTERMANN, Mariët. A Worldly Art: The Dutch Republic 1585–1718. New York: Harry Abrams, 1996. 1996
WESTERMANN, Mariët. Art and Home. Dutch Interiors in the Age of Rembrandt, exh. cat., Denver, Denver Art Museum, and Newark (New Jersey) The Newark Art Museum, 2001–2002. 2001 exhcats
WESTERMANN, Mariët. "'Costly and Curious, Full of pleasure and home contentment,' Making Home in the Dutch Republic." In Art and Home. Dutch Interiors in the Age of Rembrandt, 2001–2002, 15–81. 2001
WESTERMANN, Mariët. "Vermeer and the Interior Imagination." In Vermeer and the Dutch Interior, ed. Alejandro Vergara, Madrid: Museo Nacional del Prado, 2003. 2003 monogrfs exhcats
WESTERMANN, Mariët. Vermeer's Pictorial Intelligence. Amsterdam, 2003. 2003
WESTERMANN, Mariët. Johannes Vermeer 1632–1675 (Rijksmuseum Dossiers). Zwolle: Waanders, 2006. 2006
WHEELOCK, Arthur K. Jr. Jan Vermeer. New York: HNA Books, 1981. 1981 monogrfs
WHEELOCK, Arthur K. Jr. "Vermeer's Painting Technique." The Art Journal / College Art Association of America (1981): 162–164. 1981
WHEELOCK, Arthur K. Jr. and C. J. Kaldenbach. "Vermeer's 'View of Delft' and His Vision of Reality." Artibus et Historiae 3 no. 6 (1982). 1982
WHEELOCK, Arthur K. Jr. "Pentimenti in Vermeer's Paintings: Changes in Style and Meaning." Holländische Genremalerei im 17. Jahrhundert, Symposium Berlin, Jahrbuch preussischer Kulturbesitz Sonderband 4 (1985): 385–412. 1985
WHEELOCK, Arthur K. Jr. "'Saint Praxedis': New Light on the Early Career of Vermeer." Artibus et Historiae 14 (1987). 1987
WHEELOCK, Arthur K. Jr. "Vermeer and Bramer: A New Look at Old Documents." In Leonaert Bramer 1596–1674: A Painter of the Night, Milwaukee, 1992, 19–22. 1992
WHEELOCK, Arthur K. Jr. Vermeer and the Art of Painting. New Haven and London: Yale University Press, 1995. 1995 monogrfs
WHEELOCK, Arthur K. Jr. Johannes Vermeer, eds. Arthur K. Wheelock Jr. with Ben Broos and Jørgen Wadum. National Gallery of Art, New Haven and London: Yale University Press, 1995. 1995 monogrfs exhcats
WHEELOCK, Arthur K. Jr. Vermeer: The Complete Works. New York: Harry N. Abrams, 1997. 1997 monogrfs
WHEELOCK, Arthur K. Jr. Author/editor with contributions by Michiel C. Plomp, Daniëlle H.A.C. Lokin, Quint Gregory. The Public and the Private in the Age of Vermeer. London: Philip Wilson, 2000. 2000
WHEELOCK, Arthur K. Jr. "The Framing of a Vermeer." In Collected Opinions, edited by Volker Manuth and Axel Rüger (2004): 232–1. 2004
WHEELOCK, Arthur K. Jr. "Johannes Vermeer: 'The Art of Painting'." In What Makes a Masterpiece: Artists, Writers, and Curators on the World's Greatest Works of Art, edited by Christopher Dell. Thames and Hudson, Cambridge (2010): 234–237. 2010
WHEELOCK, Arthur K. Jr. "The Art of Painting." In exh.cat. Vermeer: Die Malkunst, edited by Sabine Haag, Elke Oberthaler, and Sabine Pénot, 193–313. Kunsthistorisches Museum, Vienna: Residenz, 2010. 19–39. 2010 exhcats
WHEELOCK, Arthur K. Jr. and Lokin, Danielle H. A. C. Human Connections in the Age of Vermeer, Japanese ed. Exh. cat. Kyoto Municipal Museum of Art; Miyagi Museum of Art, Sendai; Bunkamura Museum of Art, Tokyo. Tokyo, 2011. 2011 exhcats
WHEELOCK, Arthur K., Jr., Walter A. Liedtke, and Sandrina Bandera Bistoletti. Vermeer: Il secolo d'oro dell'arte olandese, exh. cat. Scuderie del Quirinale, Rome. Milan, 2012. 2012 exhcats
WHEELOCK, Arthur K. Jr. "Exploring the Physical and Spiritual World." In Vermeer's Delft, edited by David de Haan. Museum Prinsenhof Delft, Wonders Uitgevers, Zwolle (2023): 88. 2023 exhcats
WIEL, Kees van der. "Delft in the Golden Age."In Dutch Society in the Age of Vermeer, exhibition catalog edited by Haks Donald, Marie Christine van der Sman, Johannes Vermeer, and Haags Historisch Museum, 1996, The Hague: Hague Historical Museum; Zwolle: Waanders. 1996 exhcats
WILDE, E. de. "Johannes Vermeer (1632–1675). Gezicht op Delft." Openbaar kunstbezit 3 (1959), 32a-b. 1959
WILDER, Ken. "Vermeer: interruptions, exclusions, and 'imagining seeing'." Estetika / Institute of Art History, Academy of Sciences of the Czech Republic (2015): 38–59. 2015
WIEGAND, Wilfred. "Jan Vermeer, Kleine Straße in Delft‟, um 1658." Weltkunst 83, no. 68 (January 2013): 106–107. 2013
WIESMAN, Marjorie (ed.). "Vermeer Women: Secrets and Silence." In Vermeer's Women: Secrets and Silence, 2–63. Hartford: Yale University Press, 2011. 2011
WIESEMAN, Mary Bittner. "Vermeer and the Art of Silence." The Journal of Aesthetics and Art Criticism, vol. 64, no. 3 (Summer 2006): 317–324. 2006
WIESEMAN, M.E. "Acquisition or Inheritance? Material Goods in Paintings by Vermeer and his Contemporaries." In A.E. Waiboer et al. (eds.), Vermeer and the Masters of Genre Painting. Inspiration and Rivalry, Paris (Musée du Louvre)/Dublin (National Gallery of Ireland)/Washington (National Gallery of Art) 2017, 51–63. 2017 exhcats
WIESEMAN, Marjorie E., Alexandra Libby, E. Melanie Gifford, and Dina Anchin. "Vermeer’s Studio and the Girl with a Flute: New Findings from the National Gallery of Art." Journal of Historians of Netherlandish Art 14, no. 2 (Summer 2022). 2022
WIESSEMAN, Marjorie E. "Letters: The World Inside Outside." In Vermeer, edited by Pieter Roelofs and Gregor J. M. Weber, exhibition catalog, 234–257. Rijksmuseum, Amsterdam: Hannibal Books, 2023. 2023 monogrfs exhcats
WILCZEK, Karl. Katalog der Graf Czernin'schen Gemäldegalerie in Wien. Vienna, 1936. 1936
WILLIAMS, Frederick W. Vermeer's Vision: Interesting Discovery: Direct Evidence of his Thought: General Outline of his Grand Theme: Relevance to our Time. [Place of publication not specified]: [Publisher not specified], 1999. 1999
WILNAU, C. "Ein Selbstportrat Vermeers?" Zeitschrift für Kunst 4 (1950): 207–12. 1950
WINKEL, Marieke de. "The Interpretation of Dress in Vermeer's Painting." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
WINKLER, F. "Der Tauschhandel der Museen und der Braunschweiger Vermeer." Pantheon 8 (1931): 488–489. 1931
WINKLER, F. "Der Braunschweiger Vermeer." Kunst und Künstler 29 (1931): 74–76, 369. 1931
WINTERNITZ, E. Musical Instruments and Their Symbolism in Western Art. Studies in Musical Iconology. New Haven, 1979. 1979
WIRTH, C. "The Camera Obscura as a Model of a New Concept of Mimesis in Seventeenth-Century Painting." In Lefèvre 2007, 149–193. 2007
WISEMAN, M.B. "Vermeer and the Art of Silence." The Journal of Aesthetics and Art Criticism 64 (2006): 317–324. 2006
WONKFIELD, Trevor. "Looking into Vermeer," Art in America (1996): 70–77. 1996
WOLF, G.J. "Jan Vermeer van Delft." Westermanns Monatshefte 60 (1915): 66–75. 1915 mongrfs
WOLF, Brian Jay. Vermeer and the Invention of Seeing. Chicago: University of Chicago Press, 2001. 2001
WRANGELL, N. "Vermeer van Delft." Apollo, January 1912, 5–11. 1912
WRIGHT, Christopher. Vermeer. London: Oresko Books, 1976. 1976 monogrfs
WRIGHT, Christopher. Vermeer. London: Oresko Books, 2005. 2005 mongrafs
WULP, Bas van der. "A View of Delft in the Age of Vermeer." In Dutch Society in the Age of Vermeer, exhibition catalog edited by Haks Donald, Marie Christine van der Sman, Johannes Vermeer, and Haags Historisch Museum, 1996, The Hague: Hague Historical Museum; Zwolle: Waanders. 1996
WINKEL, Marieke de. "The Interpretation of Dress in Vermeer's Paintings." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 1998
YDEMA, Onno. "Carpets and their Datings in Netherlandish Paintings." Antique Collector's Club (Suffolk, 1991). 1991
YEAZELL, Ruth Bernard. "Life Made Light." The New York Review, July 20, 2023. Link. 2023
YEAZELL, Ruth Bernard. "Proust's Genre Painting of Memory and the Rediscovery of Vermeer." In The Art of the Everyday: Dutch Painting and the Realist Novel. Princeton NJ: Princeton University Press, 2008. 2008
YEAZELL, Ruth Bernard. "A Vermeer for the IRA," The New York Review, March 11, 2021. 2021
YEAZELL, Ruth Bernard. "Vermeer and the Language of Poetry," Raritan 41.3 (Winter 2022): 99-132. 2022
ZELL, Michael. "'Liefde baart kunst': Vermeer's poetics of painting." Simiolus 35 (2011): 142–164. 2011
ZELL, Michael Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art. Amsterdam, 2021. 2021
ZERI, Federico, Marco Dolcetta, and Elena Mazour. Vermeer, "The Astronomer." Richmond Hill, Ont: NDE Publishers, 2000. 2000 monogrfs
ZUFFI, Stefano. Vermeer: The Master of Light and Composition: His Life in Paintings (Artbook Vermeer). Translated by Ann Bennet, London, New York and Sydney: Dorling Kindserly, 1999. 1999 monogrfs
ZUIDERVAART, Huib J. "A New Theory on the Origin of Two Paintings by Johannes Vermeer (1632–1675) of Delft." English translation of "Een nieuwe theorie over twee schilderijen van Johannes Vermeer (1632–1675)." In Jaarboek Delfia Batavorum 28 (2018), 9–34. 2018
ZUIDERVAART, Huib J. "A New Theory on the Origin of Two Paintings by Johannes Vermeer (1632–1675) of Delft." Accessed December 18, 2023. URL: http://www.essentialvermeer.com/history/two-paintings-by-vermeer.html 2018 web