Musicians in an Interior (detail)
Leonaert Bramer
c. 1660
37.2 x 46.3 cm.,
Rijksmuseum, Amsterdam
To truly appreciate the role of music in Vermeer's paintings, it is essential to delve beyond the surface-level iconographic meanings, as intriguing as they are. A comprehensive understanding requires familiarity with the musical environment of Vermeer's era, including the instruments featured in his works, their historical context, playing techniques, and the unique sounds they produce. Additionally, knowledge of the music typically played on these instruments during that period is crucial. To bring Vermeer's world closer to those who may not be well-versed in the depth of early music, the following MP3 audio files offer an auditory glimpse into the rich musical tapestry of his time.
by Alessandro Piccinini (1566–c.1638),
from: Intavolatura di Liuto, et di Chitarrone, Libro Primo (1623), p. 121, performed by Robert Eklund
(Fortune my Foe) In late medieval times people thought fortuna to be their fate. Sweelinck used a fortuna piece by William Byrd (1543–1623) for three variations. The piece is played on a so-called "chest organ," a small organ for home using. performed by Roland Götz, 1986
Domenico Scarlatti (1685–1757)
performed by Valda Aveling,
harpsichord made by Thomas Goff
Henry Purcell ((1659–1695)
performed on a Flemish Single a petit ravalement after Moermans
by Hendrik Broekmann
Dietrich Buxtehude (1637–1707)
performed by Lionell Rogg
on a Wittmayer and Feldberg pedal-harpsichord
Jacques Bittner (published 1682)
performed by Robert Eklund
(seventeenth century) Jacques Gallot:
performed by Robert Eklund
Johann Sebastian Bach (1685–1750),
lute-harpsichord, played by Gergely Sarkozy
for information about the lute-harpsichord see Anden Houben, The Lute-Harpsichord: a Forgotten Instrument in: The Baroque Music Home Page, Rare Baroque instruments
Giovanni Antonio Terzi (c.1580–1600),
Private recording David van Ooijen, 2004 (with Michiel Niessen, lute).
8-course lute after Hieber by Nico van der Waals, 1986.
Giovanni Antonio Terzi
Private recording David van Ooijen, 2004 (with Michiel Niessen, lute).
6-course lute by Stephen Barber, 1998.
Arcangelo Corelli (1653–1713),
Musica Amphion, David van Ooijen, archlute.
from: Corelli - Opera Omnia (Brilliant Classics 92403 10 cd box) 2004.
Archlute after Sellas by Hendrik Hasenfuß, 1991
lute & gittern (gitter is the Engish term of cittern)
performed by Renaissance Ensemble Pantagruel
George Frideric Handel (1685–1759)
The Leeds Chamber Orchestra, Martin Stevens
Vincent Lübeck (1656–1740),
played by Gosse Hulzinga
on the historic Hinsz organ (1738)
in the Broederkerk, Kampen, Netherlands
from: Baroque Music Sampler
[Ger. Nachbar = neighbour]
Samuel Scheidt (1587–1654)
performed by recorder ensemble Flauto Dolce, Sweden
Jacob van Eyck (c. 1590–1657)
from Der Fluyten-Lusthof II,
performed by Marion Verbruggen
from Der Fluyten Lust-Hof II, by Jacob van Eyck, performed by Marion Verbruggen, 1996
Jacob Nozeman (1693–13–1745), recorder, David van Ooijen, archlute.
from: Recorders Recorded - Saskia Coolen (Globe GLO 5209) 2004. Archlute after Sellas by Hendrik Hasenfuß, 1991
Giovanni Battista Fontana (1589–1630)
from: Twelve Sonatas. - Icarus Ensemble (Claves Records CD 50-2203) 2002.
Hilde de Wolf, recorder, David van Oijen, bass lute, made by Stephen Barber, 1999.
Brass
performed by:
The Philip Jones Brass Ensemble
Denis Stevens, Conductor & Musical Director
from: Baroque Music Sampler
Orchestra
performed by:
The Accademia Monteverdiana Orchestra
Denis Stevens, Conductor & Musical Director
from: Baroque Music Sampler
Trio
performed by:
The Jaye Consort - Viols, Shawm, Bagpipes and Lute
Desmond Dupré, lute; Harold Lester, harpsichord
Denis Stevens, Conductor & Musical Director
from: Baroque Music Sampler
Edward Johnson (1560–1628)
performed by Renaissance Ensemble Pantagruel
Broadside Ballad
performed by Renaissance Ensemble Pantagruel
Henry Purcell (1659–1695)
Sytse Buwalda, counter tenor, David van Ooijen, theorbo.
from: Sacred Arias - Sytse Buwalda (Buwalda Classics BCM 200401) 2004.
Theorbo by Stephen Barber, 1988
Servaes de Koninck (c.1655–1701),
['I can no longer miss your beautiful face'].
Liesbeth Houdijk, soprano, David van Ooijen, theorbo.
from: Ah! I wish I were a little dog! - Dopo Emilio (Emergo Classics EC 3961-2) 1993.
Theorbo by Stephen Barber, 1988
Pieter L. van der Goes, counter tenor (with Camerata Trajectina), David van Ooijen, lute.
from: Conformisten en rebellen (Amsterdam University Press ISBN 90 5356 618 X) 2003.
8-course lute after Hieber by Nico van der Waals, 1986
David van Ooijen
lute, baroque guitar, theorbo, archlute
http://home.planet.nl/~d.v.ooijen/david/
Francesco Geminiani (1687–1762):
played by The Milan Baroque Soloists
from: http://www.baroquecds.com/musamples.html
Henry Purcell (1659–1695),
performed on an English bentside spinet
by Hendrik Broekmann
Henry Purcell (1659–1695),
performed on an English bentside spinet
by Hendrik Broekmann
Heinrich I.F. Biber (1644–1704)
performed Baroque trumpet ensemble Clarino Consort
Heinrich I.F. Biber (1644–1704)
performed Baroque trumpet ensemble Clarino Consort
Jeremiah Clarke (1674–1707)
performed Baroque trumpet ensemble Clarino Consort
William Byrd (1546–1623),
performed by Barocktrompeten Ensemble Berlin
(consort)
from Les Goûts réunïs (1724) by François Couperin (1688–1733)
performed by the ensemble Duo Chelyum.
Marin Marais (1656–1728)
performed by Gail Ann Schroeder, viola da gamba, David van Ooijen, theorbo
from: Marais, Pièces de viole du troisièsme livre (TMD 89801) 1998. Theorbo by Stephen Barber, 1988.
François Couperin (1668–1733)
from: La manière magnifique - The Spirit of Gambo (Jubal CD ZV 92161-2) 1992.
David van Oijen, theorbo, made by Stephen Barber, 1988
Riccardo Rognioni (c.1550–1620)
Freek Borstlap, viol, David van Ooijen, lute.
from: The Spirit of Gambo and Friends (Stockfisch RTD 357.1015.2) 1996.
8-course lute after Hieber by Nico van der Waals, 1986.
Marin Marais (1656–1728),
Gail Ann Schroeder, viola da gamba, David van Ooijen, theorbo.
from: Marais, Pièces de viole du troisièsme livre (TMD 89801) 1998.
Theorbo by Stephen Barber, 1988
William Lawes (1602–1645)
Set à 5, in G',
performed by viol consort Phantasm
very likely Almande The Carpenter (anon.) from The Susanne van Soldt Manuscript (1599)
performed by Joop Klaassen
Silly Simon
(Jan Pzn. Sweelinck) from The Leningrad Manuscript (1646)
performed by Joop Klaassen
The popular melody "Daphne" as a French "Courante" dance (anon.) also from The Leningrad Manuscript (1646)
performed by Joop Klaassen
Henry Purcell ((1659–1695),
performed on a Flemish muselaer virginal
by Hendrik Broekmann